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Titlebook: Beyond the Graven Image; A Jewish View Lionel Kochan Book 1997 Lionel Kochan 1997 Christianity.god.Islam.Judaism.religion

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發(fā)表于 2025-3-21 19:39:21 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Beyond the Graven Image
期刊簡稱A Jewish View
影響因子2023Lionel Kochan
視頻videohttp://file.papertrans.cn/186/185332/185332.mp4
圖書封面Titlebook: Beyond the Graven Image; A Jewish View Lionel Kochan Book 1997 Lionel Kochan 1997 Christianity.god.Islam.Judaism.religion
影響因子The biblical prohibition of images sets Judaism apart, together with Islam, from all other religious systems. This book attempts to explain the reasons for the prohibition - as well as its limits - and then shows how influential it has been in determining aspects of Jewish thinking in relation to such key concepts as holiness, symbolism, mediation between man and God, aesthetics and the role of memory in religion. Why is music the one art to which Judaism is hospitable? Is Judaism a religion of the ear rather than the eye? What is the real issue at stake in the age-old debate between Jerusalem and Athens? How do these issues relate to the iconoclastic movements in Byzantine Christianity and the Reformation? Lionel Kochan makes clear that to the prohibition of the graven image there is more than meets the eye.
Pindex Book 1997
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To Limit the Holy,d stone’ — as anything but inert, impervious to human animation and incapable of signifying the divine, save in the most exceptional of exceptional circumstances, is perhaps the greatest conceivable error of which man is capable; that direct access to God can be enjoyed by the individual; that to su
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Symbolism in Action,irst letter of Paul to Timothy, 2:5). In the Jewish Apocrypha, the concept of mediation before God is also present; in the Book of Tobit, Raphael, one of ‘the seven holy angels’ in Jewish angelology, is said to ‘bear upwards the prayers of the saints and (to) have access to the glory of the Holy One
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Man in His Image,still less if God be the object of the purported representation. At any . portrayal of God Jewish tolerance of the image stops absolutely short; and at any portrayal of the human being, relatively short. In each case the argument is similar; it is also grounded in such inter-dependent terms as to di
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Countering Terrorism Through Military Means?ccumb to the employment of supposedly mediatory symbols is akin to a form of self-inflicted deception that also exposes its victim to political abuse (which must however, not be confused with a permissible political myth).. These three propositions are inter-dependent, form a unity and can be assembled in any sequence.
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