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Titlebook: Beyond a Joke; The Limits of Humour Sharon Lockyer (Lecturer in Media Studies),Michael Book 2005 Palgrave Macmillan, a division of Macmilla

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期刊全稱Beyond a Joke
期刊簡稱The Limits of Humour
影響因子2023Sharon Lockyer (Lecturer in Media Studies),Michael
視頻videohttp://file.papertrans.cn/186/185305/185305.mp4
圖書封面Titlebook: Beyond a Joke; The Limits of Humour Sharon Lockyer (Lecturer in Media Studies),Michael Book 2005 Palgrave Macmillan, a division of Macmilla
影響因子Humour is pervasive in contemporary culture, and is generally celebrated as a public good. Yet there are times when it is felt to produce intolerance, misunderstanding or even hatred. This book brings together, for the first time, contributions that consider the ethics as well as the aesthetics of humour. The book focuses on the abuses and limits of humour, some of which excite considerable social tension and controversy. Beyond a Joke is an exciting intervention, full of challenging questions and issues.
Pindex Book 2005
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Parody and Decorum: Permission to Mock,rody of Islam’ (Samuel, 1989), it was ‘a(chǎn) serious parody of militant Islam’ (Calico, 2004), criticised in so far as it ‘paints nauseous grotesque absurd accounts of incoherent events, mostly with cartoons and caricatures’ (Roy, 2002).
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The Ambiguities of Comic Impersonation,then impersonation generally has a positive sense, with the label of impersonator as comic entertainer being regarded as wholly legitimate, but it would certainly carry at least some of these connotations if we regard a particular comic impersonator as trading on a demeaning or derogatory stereotype
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https://doi.org/10.1007/978-3-540-68295-0es have been ‘doing the rounds’ for years because Italians knew how to laugh about ‘that kind of tragedy’. His attempt at damage limitation only succeeded in causing offence further afield, among Italy’s Jewish community and Jewish people around the world. Even in his own country, the newspaper . pr
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https://doi.org/10.1007/978-3-540-68295-0then impersonation generally has a positive sense, with the label of impersonator as comic entertainer being regarded as wholly legitimate, but it would certainly carry at least some of these connotations if we regard a particular comic impersonator as trading on a demeaning or derogatory stereotype
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