| 期刊全稱(chēng) | Beyond Mimesis and Convention | | 期刊簡(jiǎn)稱(chēng) | Representation in Ar | | 影響因子2023 | Roman Frigg,Matthew Hunter | | 視頻video | http://file.papertrans.cn/186/185233/185233.mp4 | | 發(fā)行地址 | First collection of essays on the topic of art and science in the analytic tradition of philosophy.Volume features contributions from leading, international experts in various fields in philosophy and | | 學(xué)科分類(lèi) | Boston Studies in the Philosophy and History of Science | | 圖書(shū)封面 |  | | 影響因子 | .Representation is a concern crucial to the sciences and the arts alike. Scientists devote substantial time to devising and exploring representations of all kinds. From photographs and computer-generated images to diagrams, charts, and graphs; from scale models to abstract theories, representations are ubiquitous in, and central to, science. Likewise, after spending much of the twentieth century in proverbial exile as abstraction and Formalist aesthetics reigned supreme, representation has returned with a vengeance to contemporary visual art. Representational photography, video and ever-evolving forms of new media now figure prominently in the globalized art world, while this "return of the real" has re-energized problems of representation in the traditional media of painting and sculpture. If it ever really left, representation in the arts is certainly back...Central as they are to science and art, these representational concerns have been perceived as different in kind and asobjects of separate intellectual traditions. Scientific modeling and theorizing have been topics of heated debate in twentieth century philosophy of science in the analytic tradition, while representation of | | Pindex | Book 2010 |
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