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Titlebook: Beyond Immersive Theatre; Aesthetics, Politics Adam Alston Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 audience particip

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21#
發(fā)表于 2025-3-25 03:29:57 | 只看該作者
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發(fā)表于 2025-3-25 08:01:06 | 只看該作者
https://doi.org/10.1057/978-1-137-48044-6audience participation; experimentation; immersion; narcissistic participation; performance; Punchdrunk; p
23#
發(fā)表于 2025-3-25 13:33:43 | 只看該作者
978-1-349-69394-8The Editor(s) (if applicable) and The Author(s) 2016
24#
發(fā)表于 2025-3-25 16:56:39 | 只看該作者
,Theatre in a Box: Affect and Narcissism in Ray Lee’s ,, case study Ray Lee’s . (2011), a headphone performance for an audience of one to be experienced whilst shut inside a very small and very cold box. Through a critical analysis of . informed by affect studies, he identifies the production and experience of affect as important aesthetic features of an
25#
發(fā)表于 2025-3-25 21:34:08 | 只看該作者
,Theatre in the Dark: Spectatorship and Risk in Lundahl & Seitl’s Pitch-Black Theatre,lston asks: what happens to the productivity of spectatorship in total darkness? He proposes that the inherent creativity and productivity of spectators is exacerbated when faced with the risky prospect of participation. Drawing on risk research in the social sciences and its influence on Third Way
26#
發(fā)表于 2025-3-26 03:28:36 | 只看該作者
27#
發(fā)表于 2025-3-26 06:17:07 | 只看該作者
Frustrating Theatre: Shunt in the Experience Economy, consumers. However, Alston considers how immersive theatre makers are finding ways to subvert a culture of producing consumerism by frustrating the productive participation of audiences. Focusing on work by the British theatre collective shunt, he explores frustration as that which interrupts a per
28#
發(fā)表于 2025-3-26 11:50:32 | 只看該作者
,Theatre in the Marketplace: Immaterial Production in Theatre Delicatessen’s Theatre Souk,cognition. However, Alston contends that a young and inexperienced demographic, which risks marginalisation, also make important contributions as immersive theatre makers. Focusing on Theatre Delicatessen’s curation of such work in their pop-up ‘Theatre Souks’, and appropriating the writing of Jacqu
29#
發(fā)表于 2025-3-26 14:50:00 | 只看該作者
Dynamic Firewall Configuration Optimization,e compared with the peer standardization efforts for open node interfaces. Two example applications demonstrate how ANs can improve the functionality of today’s networks, and how mobile agents enhance the robustness and performance of the AN solution.
30#
發(fā)表于 2025-3-26 18:39:50 | 只看該作者
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