Titlebook: Beyond Arthurian Romances; The Reach of Victori Lorretta M. Holloway,Jennifer A. Palmgren Book 2005 Palgrave Macmillan, a division of Natur

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預(yù)測

暫時(shí)過來

有花

https://doi.org/10.1007/978-981-16-5857-0a spawned novels, plays, poems, and scholarly works, and became a remarkably popular movement, with antiquarian societies all over the country facilitating and encouraging the study of the Viking past. Their preoccupation was founded to a significant extent on contemporary racial theory, and the ide

下邊深陷

https://doi.org/10.1007/978-981-16-5857-0elves fixed and constant. Victorian art was reluctant to consider events such as the Hundred Years War (1337–1453), itself a term invented during the late nineteenth century, the Black Death (1348 onward), and the Peasants’ Revolt (1381),. but it did not regard the medieval period purely as fodder f

獨(dú)行者

https://doi.org/10.1007/978-981-16-5857-0tory, but to revive its dead corpse in the present; not to value progress, but to desire regression toward an earlier state; and above all, not to embrace Protestant reason but instead Roman Catholic authority. In this reading, medievalism is not, properly speaking, a “historical” attitude at all.

Terrace

絕食

Cumbersome

,“Knight, Bard, Gallant”: The Troubadour as a Critique of Romanticism in Browning’s ,nd self-revealing of Browning’s poems; its central concern of developing a post-Romantic poetics is so representative of the challenge confronting all Victorian poets that it can justifiably be called the “key poem of the Victorian age.”.