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Titlebook: Besides the Screen; Moving Images throug Virginia Crisp,Gabriel Menotti Gonring Book 2015 Palgrave Macmillan, a division of Macmillan Publi

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樓主: 選民
21#
發(fā)表于 2025-3-25 06:09:22 | 只看該作者
Lecture Notes in Electrical Engineeringovide an overview and a discussion of these sites, and the way these are integrated in a wider economy of film circulation, user agency, knowledge and affects. In theorizing my findings, I will mainly draw on theories of culture and sociality outlined by Pierre Bourdieu.
22#
發(fā)表于 2025-3-25 08:46:25 | 只看該作者
Lecture Notes in Electrical Engineeringct of speculation. The series focused on a group of FBI agents investigating the consequences of a blackout that causes the entire world to lose consciousness for 2 minutes and 17 seconds, during which time everyone has a vision of themselves on 29 April 2010.
23#
發(fā)表于 2025-3-25 12:00:34 | 只看該作者
24#
發(fā)表于 2025-3-25 18:25:40 | 只看該作者
From the Big Screen to the Small Ones: How Digitization is Transforming the Distribution, Exhibitionoducers, distributors and exhibitors are being forced to respond to the popularity of the Internet and the success of digital platforms. As a consequence the ways of consuming movies are dramatically changing and the film industry is desperately trying to readapt itself to this new scenario.
25#
發(fā)表于 2025-3-25 19:59:38 | 只看該作者
26#
發(fā)表于 2025-3-26 03:25:31 | 只看該作者
Zhigang Tian,Yi Ding,Fangfang Dingand other actions, we will look at concepts of time in the philosophy of Alfred North Whitehead. The chapter proposes a theoretical structure to define live audiovisual performance based on a series of relations rather than hierarchies. This structure will provide the basis for the consideration of a number of issues about documentation.
27#
發(fā)表于 2025-3-26 05:55:28 | 只看該作者
Innovative Computing Technologya projection space, a music concert or a theatre performance) screens that operate ‘out in the open’, especially when they are meant to serve a purpose of interactivity, need to entertain and engage a very heterogeneous crowd.
28#
發(fā)表于 2025-3-26 11:12:32 | 只看該作者
Introduction: In the Grooves of the Cinematographic Circuit — at least not on celluloid. Inasmuch as this might be the origin of a crisis in medium specificity, it is also what allows film to seamlessly converge with other media, escaping from the bounds of cinematic presentation into potentially limitless sites of exhibition and consumption, from mobile phones to public facades.
29#
發(fā)表于 2025-3-26 15:30:08 | 只看該作者
30#
發(fā)表于 2025-3-26 18:30:52 | 只看該作者
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