Titlebook: Bernard Shaw’s Fiction, Material Psychology, and Affect; Shaw, Freud, Simmel Stephen Watt Book 2018 The Editor(s) (if applicable) and The A

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,Cashel Byron’s Blush—And Others,other phrase that might more effectively encapsulate defining elements of a Shavian psychology—and a Shavian theory of psychology—exhibited by characters in his novels. Part of the reason for doing so, and prefatory to a reading of Shaw’s fourth novel ., is to underscore and amplify the near omnipre

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The Antinomies of ,,ith two marriages and is populated by character types conventional to social comedy—it is hardly the case that Sidney Trefusis’s psyche (or that of his first wife, Henrietta) is schematized for comic purposes. This is merely one of the novel’s many paradoxes or antinomies. On the contrary, such char

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Postscript: Embodied Shaws,the “desiring body” is replaced by the “affective body.” Such a thesis is consistent with the intervention of those contemporary theorists associated with affect study, as such feelings as shame, fear, anxiety and disgust are shown in the preceding chapters, at times, not only to accompany expressio

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