Titlebook: Bernard Shaw and the Spanish-Speaking World; Gustavo A. Rodríguez Martín Book 2022 The Editor(s) (if applicable) and The Author(s), under

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仲裁者

惡意

The Influence of Cervantes’ , on Shaw’s Literary World; or, the Quixotic ShawShaw and G.K. Chesterton have often been likened to the archetypes of Don Quixote and Sancho Panza—his faithful squire—in the most disparate contexts: from the general studies of the Edwardian era to psychoanalytic treatises.

elastic

Shaw and Spanish Music Criticismries. Shaw’s knowledge of non-Anglophone composers and musicians, and of the ethnic and national backgrounds of the compositions in question, evinces his keen awareness of the role played by the international in the performance milieu of his day. This chapter will thus serve as the entry point for a

IRATE

The Reception of George Bernard Shaw’s Works and Ideas in Spainntil the outbreak of the Spanish Civil War in 1936, examining both the publication and performances of his plays and Shaw’s intellectual impact after he was awarded the Nobel Prize. Lastly, I will discuss the reception of his works and ideas until the end of his life in 1950, focusing mostly on the

哀求

結(jié)束

催眠藥

Bernard Shaw and the Literary Imagination of Nemesio R. Canalescultures, shared a common aspiration to innovate, reform, and transform their societies throughout their writings. Endowed with a genial sense of witty and ironic humor, both critically exposed world and local politics, power, war, poverty, hunger, migrations, class and gender relations, women’s rig

認(rèn)為

用樹(shù)皮

Hiren D. Patel,Sandeep K. Shukla the Spanish-speaking world does not have a place in Shaw’s intellectual endeavors, it should become apparent that the theme of this volume deserves exploration, as we shall see. Let us not forget that after his 1899 visit to southern Europe, Shaw would remark that Spain, a “soundly beaten nation,”