Titlebook: Bernard Shaw; A Critical View Nicholas Grene Book 1984 Palgrave Macmillan, a division of Macmillan Publishers Limited 1984 Britain.George B

審美家

書目名稱Bernard Shaw影響因子(影響力)




書目名稱Bernard Shaw影響因子(影響力)學(xué)科排名




書目名稱Bernard Shaw網(wǎng)絡(luò)公開度




書目名稱Bernard Shaw網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Bernard Shaw被引頻次




書目名稱Bernard Shaw被引頻次學(xué)科排名




書目名稱Bernard Shaw年度引用




書目名稱Bernard Shaw年度引用學(xué)科排名




書目名稱Bernard Shaw讀者反饋




書目名稱Bernard Shaw讀者反饋學(xué)科排名

無關(guān)緊要

PHON

Stage Tricks and Suspenses,le New Drama, it has long been established as little more than the truth. The techniques by which Shaw turned older theatrical forms to his own ends have been demonstrated again and again. Martin Meisel, in particular, has shown how thoroughly Shaw drew upon the nineteenth-century theatrical traditi

angina-pectoris

A Geographical Conscience,h . and .), one of ‘a(chǎn) group of three plays of exceptional weight and magnitude on which the reputation of the author as a serious dramatist was first established, and still mainly rests’ (CP, ., 193). This has been the view, also, of a number of recent critics who have treated it seriously and sympa

種類

Giving the Devil More Than His Due,all its own. Like the Unpleasant plays, . and ., it is concerned with uncovering the economic facts which lie beneath the social surfaces of capitalism. Barbara, like Harry Trench and Vivie Warren, is given a disillusioning education in the workings of the cash nexus. As in the . and ., Shaw’s theme

seduce

The Perfection of Levity,ted: ‘Caesar and Cleopatra has been driven clean out of my head by a play I want to write for them in which he shall be a west end gentleman and she an east end dona in an apron and three orange and red ostrich feathers.’. It was fifteen years before he wrote a line of ., but when finally written it

創(chuàng)造性

Bangs and Whimpers,erhaps his greatest play. It is interesting to speculate on the reasons for this rise in its reputation. Formally, it represents something of a new departure for Shaw, with a technique and structure which can be compared with more modern dramatists. Its use of symbolism, its allusiveness, its free a

無畏

headway

hypertension