Titlebook: Bergson and Modern Physics; A Reinterpretation a Mili? ?apek Book 1971 D. Reidel Publishing Company, Dordrecht, Holland 1971 15th century.B

ACRO

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MOAN

The Intermediate Stage: Helmholtz, Mach and Poincarésion of the Newtonian physics in the twentieth century. Although in this respect he was not alone, there were only a very few thinkers who expressed equally prophetic views at that time. For our purposes it will be sufficient to describe briefly besides the views of Mach also those of Helmholtz and

condescend

Bergson’s Amendment of the Classical Biological Theory of Knowledgemains to be shown in what sense and to what degree Bergson’s epistemology went beyond the classical biological theory of knowledge sketched in the preceding paragraphs. As is the case with Spencer, Helmholtz, Mach and Poincare, Bergson accepts the view that the present form of human intellect is a r

Substitution

Why Mechanical-Pictorial Models Failede threshold of perception this limitation could be overcome. Objects too far away as well as objects too small still can be perceived when their physical action on our sensory organs, which is too small to be effective, is concentrated by means of specially constructed devices like the telescope, mi

Overstate

grounded

Limitations of Panmathematismematism, according to which the world itself consists of mathematical entities and their relations. This was the belief of the Pythagoreans when they claimed that things are made of numbers; also of Plato when, in the ., he constructed matter from elementary plane triangles. In such an extreme form

減少

Negative Aspects of Bergson’s Epistemology — Its Relations to Bachelard, Bridgman and Empirio-Critichat is, certain associations of ideas which, by the effect of familiarity and repetition, appear solid and unbreakable. They appear so solid that the rationalists endowed them with the status of . principles constituting the immutable or, as Kant called it, “transcendental” structure of the human mi

出生

judiciousness

The Logic of Solid Bodies from Plato to QuineHis analysis is entitled “The Cinematographical Mechanism of Thought and the Mechanistic Illusion”. It begins with the Eleatic school which identified Being with a solid immutable sphere, and ends with Herbert Spencer who, without trying to eliminate becoming altogether, still insisted on its subord

mastoid-bone