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Titlebook: Ben Jonson, John Marston and Early Modern Drama; Satire and the Audie Rebecca Yearling Book 2016 The Editor(s) (if applicable) and The Auth

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樓主
發(fā)表于 2025-3-21 18:54:25 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Ben Jonson, John Marston and Early Modern Drama
期刊簡稱Satire and the Audie
影響因子2023Rebecca Yearling
視頻videohttp://file.papertrans.cn/184/183367/183367.mp4
圖書封面Titlebook: Ben Jonson, John Marston and Early Modern Drama; Satire and the Audie Rebecca Yearling Book 2016 The Editor(s) (if applicable) and The Auth
影響因子.This book examines the influence of John Marston, typically seen as a minor figure among early modern dramatists, on his colleague Ben Jonson. While Marston is usually famed more for his very public rivalry with Jonson than for the quality of his plays, this book argues that such a view of Marston seriously underestimates his importance to the theatre of his time. In it, the author contends that Marston‘s plays represent an experiment in a new kind of satiric drama, with origins in the humanist tradition of serio ludere. His works—deliberately unpredictable, inconsistent and metatheatrical—subvert theatrical conventions and provide confusingly multiple perspectives on the action, forcing their spectators to engage actively with the drama and the moral dilemmas that it presents. The book argues that Marston‘s work thus anticipates and perhaps influenced the mid-period work of Ben Jonson, in plays such as Sejanus, Volpone and The Alchemist..
Pindex Book 2016
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沙發(fā)
發(fā)表于 2025-3-21 22:29:16 | 只看該作者
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發(fā)表于 2025-3-22 03:44:37 | 只看該作者
,Jonson and Marston: ‘I write just in thy vein, I’,hts — Marston, Dekker, Samuel Daniel, Michael Drayton, Francis Beaumont, Shakespeare — his attitude is typically ambivalent at best, and he never admits that they have had any influence on his own works. The title page to the quarto edition of . offers the Horatian tag, ‘.’ (‘I did not walk in the s
地板
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發(fā)表于 2025-3-22 08:59:51 | 只看該作者
on. While Marston is usually famed more for his very public rivalry with Jonson than for the quality of his plays, this book argues that such a view of Marston seriously underestimates his importance to the theatre of his time. In it, the author contends that Marston‘s plays represent an experiment
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https://doi.org/10.1057/9781137347015 attempted to develop a hermeneutic that bridges some of the gaps between literary analysis, performance criticism, biographical approaches and theatrical and audience history, in order to explore how the works of Jonson and Marston came to be written.
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