Titlebook: Ben Jonson; Richard Allen Cave Textbook 1991Latest edition Macmillan Publishers Limited 1991 drama.dramatist.English.performance.play.reli

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,A First Interlude: ‘Sejanus his Fall’,’s sense of the differences between the ideas brought into a sudden relation only to give greater immediacy to one’s sense of the manifest similarities. For the audience the impact is at once to make them both conscious of themselves as present at a theatre and conscious of the artifice of performan

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,‘Epicoene’,f female roles . being played by boys or young men. To judge by the roles written for such performers the art was far more subtle even in comedy than that of transvestite or ‘drag’ acts in the modern theatre. Today one is consciously aware of ., however clever the impersonation, aware in fact of the

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,‘The Devil Is An Ass’,ototype, is less averse to speaking her mind. Fitzdottrel seems a compound of several of the male characters in ., being as enamoured as Sir Politick Would-be with daft schemes and zany enterprises yet, when necessity demands it, able to fake demonic possession with a skill to match Voltore’s. Gilth

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Elizabethan Jonson, though the dramatist himself chose not to include it in the Folio of 1616. There are several possible reasons for this. It is the closest Jonson came — to judge by the surviving plays — to writing in the spirit of the typical Elizabethan comedy with its delight in densely-packed action, wondrous ev

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