Titlebook: Ben Jonson; A Literary Life W. David Kay Book 1995 W. David Kay 1995 biography.Classicism.English.humour.independence.knowledge.patrons.pla

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Applied Economics and Policy Studiese theatrical quarrel with John Marston and Thomas Dekker that is now known hyperbolically as ‘The War of the Theatres’. Although this incident is sometimes dismissed impatiently by critics who deny that topical satire has artistic significance, it reveals much about the tensions in the Elizabethan l

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https://doi.org/10.1007/978-981-99-0518-8s artistic collaborators and the social realities of such occasions. Yet partly through force of personality and partly through skill at invention he established himself as the leading Jacobean masque writer. In the theatre, too, he gained a striking success with his comedy . (1606), which pleased b

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Demography and?Income Inequalityurban milieu, whose growth in the early seventeenth century is a noticeable feature of London’s development, is reflected in his . and in his comedy . (1609/10), while Blackfriars itself is the setting for . (1610).

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Status concerns, inequality, and growth,audience he courted so assiduously? For this reason he seems to have asked for partial payment in presentation copies like those surviving examples of . that contain inserted tributes to William Camden and the Countess of Bedford, and (as noted in Chapter 3) he cultivated a network of patrons to who

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Migration and Higher Education in Germany Jonson responded to these artistic slights with agressive scorn or fantasies of retribution, straining old friendships and inviting new quarrels with his critics. His artistic difficulties were compounded by such personal crises as fire, illness and mounting debts. The themes of his later works — t

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Mary Leahy,John Polesel,Shelley Gillisishop of Chichester. Though some of the thirty contributors to the volume were Oxford undergraduates eager to showcase their talents with a well-turned elegy, most were friends and ‘sons’ paying tribute to the figure whose encouragement inspired their own poetic efforts.. Again and again they apolog

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2946-2037 from the conditions of theatrical production and from his patrons and introduces new evidence that, despite his vaunted classicism, he repeatedly appropriated the matter or forms of other English writers in order to demonstrate his own artistic superiority.978-0-333-46447-2978-1-349-23778-4Series ISSN 2946-2037 Series E-ISSN 2946-2045

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2946-2037 e and his many literary rivalries. Stressing his wit and inventiveness, it explores the strategies by which he attempted to maintain his independence from the conditions of theatrical production and from his patrons and introduces new evidence that, despite his vaunted classicism, he repeatedly appr

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