Titlebook: Behind the Frontiers of the Real; A Definition of the David Roas Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 The Fantas

法令

書目名稱Behind the Frontiers of the Real影響因子(影響力)




書目名稱Behind the Frontiers of the Real影響因子(影響力)學科排名




書目名稱Behind the Frontiers of the Real網(wǎng)絡公開度




書目名稱Behind the Frontiers of the Real網(wǎng)絡公開度學科排名




書目名稱Behind the Frontiers of the Real被引頻次




書目名稱Behind the Frontiers of the Real被引頻次學科排名




書目名稱Behind the Frontiers of the Real年度引用




書目名稱Behind the Frontiers of the Real年度引用學科排名




書目名稱Behind the Frontiers of the Real讀者反饋




書目名稱Behind the Frontiers of the Real讀者反饋學科排名

ZEST

Reality,ained since its origins a constant debate with extratextual reality. To understand the implications of this confrontation between the real and the impossible, this chapter examines what idea of reality we are dealing with, because the fantastic will always depend, by means of contrast, on what we co

motor-unit

DEMUR

Fear,astic is a very special experience: it is an impression, although usually manifested in the characters, it directly affects the receiver, since this occurs when our idea of reality is subverted. To clarify the relationship between the fantastic and fear, it will be useful to refer to the distinction

大洪水

Language,level (in literature, of course): the fantastic phenomenon, which is impossible to explain, exceeds the frontiers of language, it is by definition indescribable because it is unthinkable. It may, therefore, be worth asking if there is a language with a particular form of discourse that is natural to

Expediency

巫婆

labile

Examines the works of some Spanish authors born between 1960.This book offers a definition of the fantastic that establishes it as a discourse in constant intertextual relation with the construct of reality.?In establishing the definition of the fantastic, leading scholar David Roas selects four cen

Jejune

CHAFE

Introduction,tention here is to interrogate the precedents and definitions, acknowledging my debt to them, in order to arrive at my own theory of the fantastic which conceives of said category as a discourse in constant intertextual relation with that other discourse that is reality, always understood as a cultural construct.