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Titlebook: Before Modernism Was; Modern History and t Geoff Gilbert Book 2004 Palgrave Macmillan, a division of Macmillan Publishers Limited 2004 bibl

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發(fā)表于 2025-3-21 19:49:05 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Before Modernism Was
期刊簡(jiǎn)稱Modern History and t
影響因子2023Geoff Gilbert
視頻videohttp://file.papertrans.cn/183/182138/182138.mp4
學(xué)科分類Language, Discourse, Society
圖書封面Titlebook: Before Modernism Was; Modern History and t Geoff Gilbert Book 2004 Palgrave Macmillan, a division of Macmillan Publishers Limited 2004 bibl
影響因子Before Modernism Was places modernist writing within the texture of modern history. Texts by Woolf, James, Freud, Wyndham Lewis, Stein, Malinowski, and others are read through a range of figures that construct and disrupt modern meaning: the ghost that affects the value of your property; the sulky, graceless adolescent; the Pole who may not be Polish; the nervous owner of the dog; the addict and her smoke. Eccentric to its institutions, these figures are central to the constituency of modernism.
Pindex Book 2004
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Boys: Manufacturing Inefficiency,es of injustice and incomprehension: it isn’t fair; you just don’t understand. In each of the epigraphs to this chapter there is a conflict between young people (Benjamin’s ‘destructive character’ is ‘young and cheerful’.) and knowledge. The importance of books, the impersonal assurance of Dolto’s p
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Poles: The Centre of Europe, many reasons, but in this chapter I want rather to follow its logic: there is something in being ‘Polish’ which has to be excluded from consideration when ‘modernism’ is being built as a narrative of change and development, a narrative which can be attributed to a form like an institution. Conrad h
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Dogs: Small Domestic Forms,ies of geo-politics. This prospect is of a particularly difficult way to live; there is a whiff of pathology in the disenchanted refusal of ambition and heuristic clarity sketched there, without even the bright blind energies of the figure of the adolescent to spark it with some kind of young hope.
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2947-0188 he sulky, graceless adolescent; the Pole who may not be Polish; the nervous owner of the dog; the addict and her smoke. Eccentric to its institutions, these figures are central to the constituency of modernism.978-1-349-41519-9978-0-230-51021-0Series ISSN 2947-0188 Series E-ISSN 2947-0196
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https://doi.org/10.1007/978-981-99-1751-8t against his father and against the world, which is compounded by the fact that his surname, Dolgoruky, is also that of a noble family, and so he has regularly to experience the difficulty of finding the right tone in which to deny that he is a Prince. The negotiation of these relations, the findin
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Susceptibility Modeling and Mappingelation between literary value and the career of authorship, the attempt to make a living from fiction. The crossing of these two figures of the ghost indicates a place for modernism to emerge. It has been long understood that one of the things that modernism in literature and the arts may be is a d
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