Titlebook: Becoming Feminist; Narratives and Memor Carly Guest Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 Identity.Subjectivity.St

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書目名稱Becoming Feminist影響因子(影響力)




書目名稱Becoming Feminist影響因子(影響力)學(xué)科排名




書目名稱Becoming Feminist網(wǎng)絡(luò)公開度




書目名稱Becoming Feminist網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Becoming Feminist被引頻次




書目名稱Becoming Feminist被引頻次學(xué)科排名




書目名稱Becoming Feminist年度引用




書目名稱Becoming Feminist年度引用學(xué)科排名




書目名稱Becoming Feminist讀者反饋




書目名稱Becoming Feminist讀者反饋學(xué)科排名

光滑

Human-Computer Interaction - INTERACT 2009 linear and progressive temporalities generational narratives can rely upon. It offers a new means of thinking about the generational, familial and maternal as opening up rather than foreclosing possibilities for engagement with feminism’s pasts.

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畫布

Human-Computer Interaction -- INTERACT 2011eral, theatrical and embodied feminist activism. Through this they award value to their emotional protest in the present. Sara Ahmed’s discussion of emotion is used throughout to consider how these women hold onto feminist feelings.

BOAST

Human-Computer Interaction -- INTERACT 2011d to exposes shifting boundaries of belonging. Across these sites, the ‘proper feminist’ is an illusionary figure that regulates feminist belonging. The women measure themselves against this figure, despite an awareness of exclusions she enacts.

免費(fèi)

Lecture Notes in Computer Science narrative offers a momentary means of coming to know feminism. However, becoming feminist is a continual, relational process that is negotiated through moments and encounters, rather than a static, unchanging identity.

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Exterior

Aaliyah and Jenny: Feminist Hope,s she witnessed as a child. She nevertheless continues to invest in the generational transmission of feminism by ‘passing it on’ to her own daughter. This chapter considers the different ways hope operates in women’s relationship to feminist pasts, presents and futures.

刻苦讀書

Richa, Ruby and Beth: Feeling Feminism,eral, theatrical and embodied feminist activism. Through this they award value to their emotional protest in the present. Sara Ahmed’s discussion of emotion is used throughout to consider how these women hold onto feminist feelings.