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Titlebook: Becoming Cleopatra; The Shifting Image o Francesca T. Royster Book 2003 Palgrave Macmillan, a division of Nature America Inc. 2003 adoption

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發(fā)表于 2025-3-21 18:15:26 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Becoming Cleopatra
期刊簡(jiǎn)稱The Shifting Image o
影響因子2023Francesca T. Royster
視頻videohttp://file.papertrans.cn/182/181989/181989.mp4
圖書(shū)封面Titlebook: Becoming Cleopatra; The Shifting Image o Francesca T. Royster Book 2003 Palgrave Macmillan, a division of Nature America Inc. 2003 adoption
影響因子Cleopatra. Sexy, sultry, political, and racially ambiguous. Moving fluidly from Shakespeare‘s England to contemporary LA, Francesca Royster looks at the performance of race and sexuality in a wide range of portrayals of that icon of dangerous female sexuality, Cleopatra. Royster begins with Shakespeare‘s original appropriation of Plutarch, and then moves on to analyze performances of the Cleopatra icon by Josephine Baker, Elizabeth Taylor, Pam Grier (Cleopatra Jones) and Queen Latifah (in Set It Off ). Royster argues that Cleopatra highlights a larger cultural anxiety about women, sexuality, and race.
Pindex Book 2003
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Egyptian Scandals: Elizabeth Taylor’s , and the White Grotesquethe Hollywood epic, the death of the studio-made “star” and the resurrection of the celebrity. Cleopatra’s iconographic meanings become harnessed with Taylor, the famous-for -being- famous and famous -for -being -overexposed icon, tapping into the glamour and insouciance of Claudette Colbert’s earli
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Becoming Cleopatra/Becoming Girl: Shaw’s , and Reclaiming the Lives of Black Girlse possibilities as well as the constraints that accompany the Cleopatra icon for black women are the subjects of the second half of this book. In this transitional chapter, I contrast the image of Cleopatra as tied to a specifically white girlhood to the images of young black female sexuality.
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https://doi.org/10.1007/978-3-319-44902-9e possibilities as well as the constraints that accompany the Cleopatra icon for black women are the subjects of the second half of this book. In this transitional chapter, I contrast the image of Cleopatra as tied to a specifically white girlhood to the images of young black female sexuality.
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E-Business Concepts and Technologies,the exhibit, I saw a snaking line that went out of the breezeway, past an exhibit of Julie Tamor’s costume designs and into the main hall. Beautiful tapestries of black and gold hung from the front, and several security guards wearing the kind of headphones that Madonna might use in concert were adm
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