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Titlebook: Beckett’s Masculinity; Jennifer M. Jeffers Book 2009 Jennifer M. Jeffers 2009 Beckett.fiction.Samuel Beckett.British and Irish Literature

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發(fā)表于 2025-3-23 10:13:13 | 只看該作者
World Agriculture—Human Beings and Farmingysis in London just before Christmas 1933.. Fifty years later, Beckett recalls the situation in Ireland: “Psychoanalysis was not allowed in Dublin at the time. It was not legal.”. In his old age, Beckett remembers the conservative attitude toward modern medicine and science of the Free State in the
12#
發(fā)表于 2025-3-23 17:24:13 | 只看該作者
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發(fā)表于 2025-3-23 18:32:49 | 只看該作者
https://doi.org/10.1007/978-3-031-24349-3time.”. . was written in French from October 1948 to January 1949, and it was first produced in Paris in January 1952. The simultaneous composition of prose and drama accounts for some of the repetition between the novels and the play. In the last chapter I said that . was like an all-male revue—. i
14#
發(fā)表于 2025-3-24 02:07:12 | 只看該作者
Why and?How Should We Explain AI?olding of Beckett’s drafts of . to argue that he embellishes each succeeding version to include more personal details of his Irish Protestant childhood and young adulthood; once again, the return to personal memories shows that Beckett remains possessed by a dispossession of masculine national ident
15#
發(fā)表于 2025-3-24 03:26:25 | 只看該作者
16#
發(fā)表于 2025-3-24 09:05:18 | 只看該作者
Lecture Notes in Computer Sciences late prose “Trilogy,” . (1980), . (1981), and . (1983). . recalls familiar scenes from Beckett’s past that evoke the father: “There was father. That grey void …. He alone. So on. Not now. Forgotten.”. Like the drama, the late prose texts are Beckett’s signature pieces for postmodern minimalism. On
17#
發(fā)表于 2025-3-24 14:32:57 | 只看該作者
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發(fā)表于 2025-3-24 17:01:55 | 只看該作者
19#
發(fā)表于 2025-3-24 19:13:25 | 只看該作者
https://doi.org/10.1057/9780230101463Beckett; fiction; Samuel Beckett; British and Irish Literature
20#
發(fā)表于 2025-3-25 01:46:14 | 只看該作者
978-1-349-37905-7Jennifer M. Jeffers 2009
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