Titlebook: Beckett, Deleuze and the Televisual Event; Peephole Art Colin Gardner Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limi

細(xì)胞學(xué)

低三下四之人

Video-body, Video-brain: , (1983) as Televisual Event,o the surrounding darkness, we finally hear the words from the closing three bars of the lied: ‘Holde Tr?ume, kehret wieder.’ Then as if on cue, the light fades down on the man (dubbed simply ‘A’ in Beckett’s script) and he remains minimally lit as he starts to dream. We fade up on his dreamt self (

吹牛者

非實體

A. ?witoński,R. Bieda,K. Wojciechowskiitative flux. Real time is a continuous, non-segmentable stream which cannot be captured or framed with mechanistic concepts. According to Bergson, ‘there is no feeling, no idea, no volition which is not undergoing change every moment: if a mental state ceased to vary, its duration would cease to fl

microscopic

M. Jaszuk,G. Szostek,A. Walczak as pure process. All three teleplays attempt to reconstruct memory through the telling of fictions — that is, through fabulations — as a means of overcoming the deadening effects of the past’s Oedipal sexual economy. By rejecting the Name of the Father and embracing the non-Oedipal oral mother, Bec

嘲弄

W. Sieklicki,M. Ko?ciuk,S. Sieklickich, as we will see, extends to the subsequent 1983 SDR production of . — so that ‘by the 1980s the flow of original Beckett productions for television and the money to finance them was from continental Europe to Britain, rather than the other way around as hitherto’ (Bignell, 2003, p. 168). In short

Offbeat

白楊

N. Pham,B. M. Wilamowski,A. Malinowski. begins with the impossibly aporetic sentence, ‘This (therefore) will not have been a book’ (Derrida, 1981, p. 3) — let us come clean from the outset and rid ourselves of the pretence that what follows is an ending or summing up. To paraphrase Derrida, by Conclusion’s end, ‘This (book) will not hav

焦慮

“Whatever It Takes” and the Banking Unionnation of the Volvo Group. In a reply to Mintzberg’s (1979:293) statement that popular business trends (in the present case, different manifestations of greening) exert a strong influence on the techniques of corporate management, Rothenberg and Maxwell offered reasons based on DiMaggio and Powell’s