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Titlebook: Beckett‘s Intuitive Spectator; Me to Play Michelle Chiang Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 drama studies.audi

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樓主
發(fā)表于 2025-3-21 16:45:07 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱Beckett‘s Intuitive Spectator
期刊簡稱Me to Play
影響因子2023Michelle Chiang
視頻videohttp://file.papertrans.cn/182/181974/181974.mp4
發(fā)行地址Contributes to interdisciplinary scholarship of literature and philosophy.Challenges the perspective that Beckett is not accessible to a non-specialist audience.Considers the concepts of habit, intuit
學(xué)科分類New Interpretations of Beckett in the Twenty-First Century
圖書封面Titlebook: Beckett‘s Intuitive Spectator; Me to Play Michelle Chiang Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 drama studies.audi
影響因子.Beckett’s Intuitive Spectator: Me to Play. investigates how audience discomfort, instead of a side effect of a Beckett pedagogy, is a key spectatorial experience which arises from an everyman intuition of loss. With reference to selected works by Henri Bergson, Immanuel Kant and Gilles Deleuze, this book charts the processes of how an audience member’s habitual way of understanding could be frustrated by Beckett’s film, radio, stage and television plays. Michelle Chiang explores the ways in which Beckett exploited these mediums to reconstitute an audience response derived from intuition. .
Pindex Book 2018
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沙發(fā)
發(fā)表于 2025-3-21 20:25:06 | 只看該作者
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發(fā)表于 2025-3-22 01:16:30 | 只看該作者
https://doi.org/10.1007/978-3-319-91518-0drama studies; audience reception; Samuel Beckett; Waiting for Godot; literature and philosophy; intuitio
地板
發(fā)表于 2025-3-22 05:01:32 | 只看該作者
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發(fā)表于 2025-3-22 09:22:46 | 只看該作者
Michelle ChiangContributes to interdisciplinary scholarship of literature and philosophy.Challenges the perspective that Beckett is not accessible to a non-specialist audience.Considers the concepts of habit, intuit
6#
發(fā)表于 2025-3-22 14:05:19 | 只看該作者
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發(fā)表于 2025-3-22 19:09:24 | 只看該作者
Marc Higgin,Adrian Evans,Mara Mielebit and intuition, this monograph is divided into four sections. Section . Habit clarifies the concept of Habit in Beckett’s writings. Section . Intuition defines Intuition as we consider its opposition to the concept of Habit established in the first section. Section . Disjunction explains how a se
8#
發(fā)表于 2025-3-23 00:22:05 | 只看該作者
Human-Animal Connections: An Introductione various narrative systems that frame our understanding of reality. Divided into three parts, the first explains how the radio play listener is really a spectator observing the sounds and images that play out in her mind. The second section demonstrates how the spectator intuits as ‘a(chǎn) loss of meani
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發(fā)表于 2025-3-23 01:48:29 | 只看該作者
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發(fā)表于 2025-3-23 06:51:46 | 只看該作者
Matteo Bianchi,Paolo Salaris,Antonio Bicchiporarily escape an incarcerating external time continuum. As such, time is delineated by Beckett as dual in the stage plays, a seemingly manipulatable intuitive time and an interminable external ‘clock’ time. In this chapter, we look at how in the midst of attempting to make use of their intuition t
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