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Titlebook: Beckett Ongoing; Aesthetics, Ethics, Michael Krimper,Gabriel Quigley Book 2024 The Editor(s) (if applicable) and The Author(s), under excl

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發(fā)表于 2025-3-25 06:50:16 | 只看該作者
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發(fā)表于 2025-3-25 07:56:05 | 只看該作者
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發(fā)表于 2025-3-25 14:30:40 | 只看該作者
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發(fā)表于 2025-3-25 17:40:33 | 只看該作者
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26#
發(fā)表于 2025-3-26 03:00:13 | 只看該作者
Mood-Based Song Recommendation Systemoften at odds with one another, in order to theorize the figures and forms of Beckett’s bilingual ?uvre and to posit a figural language that disrupts sensory experiences. Leaning on Jean-Fran?ois Lyotard’s concept of the figural on the one hand, and the “distribution of the sensible” modeled by Jacq
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發(fā)表于 2025-3-26 07:01:35 | 只看該作者
28#
發(fā)表于 2025-3-26 12:06:07 | 只看該作者
Mood-Based Song Recommendation Systemtivism that cannot desist from descending to the depths.” This “negativism” is best portrayed in Beckett’s 1964 novel ., which follows the character Pim in search of his torturer Pom. Pim’s world is gray and lifeless—along with countless other seekers, he crawls across the muddy terrain “from west t
29#
發(fā)表于 2025-3-26 12:49:13 | 只看該作者
Kasper Hald,Matthias Rehm,Thomas B. Moeslundn interpretations have long been a hallmark of Beckett criticism. Indeed, Descartes was an important intellectual influence on Beckett and a central figure in his curriculum of philosophical self-education. However, the influence of Descartes vies with an acute awareness of animal ways of being and
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發(fā)表于 2025-3-26 20:35:57 | 只看該作者
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