Titlebook: Beastly Blake; Helen P. Bruder,Tristanne Connolly Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Animals.Poetry.Romanticis

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,Apocalyptic Visions, Heroism, and Intersections of the Human and ‘the Not Human’ in Blake’s ,ari’s concepts of becoming-animal, the rhizome, deterritorialisation, as well as lines of flight, and valorises border crossings and the in-between. These intersections occur in the becomings of humans and nonhumans when engaged in self-annihilation and inspiration (the repeated main actions of the

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,Blake as Shaman: The Neuroscience of Hallucinations and ,’s Lark,, arguing that it is structured around a trance or Altered Consciousness State (ACS) figured in the poem as Blake’s collapse in his Felpham garden. Similar trances, accompanied by experiences of entoptic imagery, are widely pictured in the rock shelter paintings of /Xam (San) hunter-gatherer bush pe

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Book 2018designs. The author of ‘The Tyger’ and ‘The Lamb’ was equally struck by the ‘beastliness’ and the beauty of the animal kingdom, the utter otherness of animal subjectivity and the meaningful relationships between humans and other creatures. ‘Conversing with the Animal forms of wisdom night & day’, Bl

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How Students Manage Human Resources of character. The intricate interplay between the images and the speeches attributed to Blake’s flea, as Erle shows, firmly places Blake’s flea at the centre of the early history of the now iconic figure of the vampire.

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