Titlebook: Battle Descriptions as Literary Texts; A comparative approa Johanna Luggin,Sebastian Fink Book 2020 Springer Fachmedien Wiesbaden GmbH, par

Oration

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,The Impact of Violence as Heroization Technique in Basini’s , Naldi’s , and Filelfo’s ,The anger of Achilles is the proclaimed program of the .: the wrath of the best warrior of the Greeks. His heroism, like the heroism of all Homeric heroes, is essentially founded on warlike abilities. Analyzing the battle scenes in the ., Hellmann concludes that individual fame and honor are the absolute aims of heroes’ actions.

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Victor without Victory?,d inscriptions is the avoidance of battles and sieges. Where Neo-Assyrian or imperial Roman monuments proudly describe their victories, surviving Achaemenid texts and reliefs are much more restrained. Why this should be is a fascinating and difficult question, and this article can only provide a brief introduction.

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Parody as a Sign of Generic Consciousness: Battle Descriptions in the Pseudo-Homeric ,enre characterised by incongruity between form and content, thus undermining the seriousness of its hypotext. This view was first challenged by Russian formalism. In several essays, most notably in his treatment of ., Viktor Shklovsky has argued that “it is the consciousness of form through its violation” that lies at the heart of parody.

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,The Impossibility of Deliberate Action in Tolstoy’s Descriptions of Battle in ,804, Napoleon had declared himself emperor and had famously placed the crown on his head with his own hands, rather than receiving it from the Pope. One year later, in December 1805, he defeated the Russian and Austrian armies at Austerlitz

Resection

Johanna Luggin,Sebastian FinkApproach to battle description as literary texts.New access to well-known texts.Broad, cross-cultural and cross-epoch access