Titlebook: Barry MacSweeney and the Politics of Post-War British Poetry; Seditious Things Luke Roberts Book 2017 The Editor(s) (if applicable) and The

Esophagus

Modern and Contemporary Poetry and Poeticshttp://image.papertrans.cn/b/image/180892.jpg

Cultivate

完整

CERE

希望

弄皺

https://doi.org/10.1007/978-981-10-1557-1nticism and the New American Poetry. Through an extended interpretation of . (1972), this chapter considers MacSweeney’s portrayal of martyrdom and glamour in the lives of Shelley and Thomas Chatterton. Through a biographical reading of his relationship with Elaine Randell and the death of his frien

我就不公正

braggadocio

Introduction. Technical Applications, on MacSweeney’s ambivalent depiction of the unemployed, with reference to Marx’s famous description of the lumpenproletariat and to popular journalism about poverty in the North of England. The reading of the long poem . situates it within the context of the miners’ strike of 1984–85 and the politi

meritorious

Insatiable

Heat conduction and mass diffusion,ected miners’ utopia in County Durham. It goes on to discuss . as a work bruised by decades of political defeat, invested in complex fantasies of history. While Tony Blair was ‘modernising’ the Labour Party, MacSweeney was in and out of clinics for alcohol addiction. MacSweeney’s reaction to New Lab