Titlebook: Baroque Naturalism in Benjamin and Deleuze; The Art of Least Dis Tim Flanagan Book 2021 The Editor(s) (if applicable) and The Author(s), un

Institution

Book 2021s, the philosophical claim here is that ‘the Baroque’ names the intervallic [διαστηματικ?] relation that thought establishes between things.?On this account, any subject finds its unity in a concerted state of disquiet – a state-.rempli. in which, phenomenologically speaking, experience comprises as

偶像

relation that thought establishes between things.?On this account, any subject finds its unity in a concerted state of disquiet – a state-.rempli. in which, phenomenologically speaking, experience comprises as978-3-030-66400-8978-3-030-66398-8

GROUP

,‘,’, (a Baroque Theme),ining form. Here, key aspects of Turner’s paintings and Borges’ fables are shown to adduce a sense of . that is to be understood not so much as ‘a(chǎn)rtless’ as complex. A following section reads the technical consideration of ‘intervals’ and ‘distances’ in Greek geometry in order to consider how seemin

使厭惡

Theses on the Baroque,he chapter shows how this notorious question of art-history (of canonical definition and classification) together with the characterisation of seventeenth-century sensibility (as one of agitation and hallucination) are evinced in the distinction between seeing and reading—and how the realisation of

拾落穗

砍伐

BILIO

Femish

Neolithic

Perigee

Tim FlanaganProvides the first critical close reading of Deleuze’s complex and understudied final monograph.Situates the baroque ‘crisis of reason’ within ongoing research on religion, art, and nature in post-Kan