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Titlebook: Baroque Aesthetics in Contemporary American Horror; Gabriel Eljaiek-Rodríguez Book 2021 The Editor(s) (if applicable) and The Author(s), u

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發(fā)表于 2025-3-21 16:29:09 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱Baroque Aesthetics in Contemporary American Horror
影響因子2023Gabriel Eljaiek-Rodríguez
視頻videohttp://file.papertrans.cn/181/180863/180863.mp4
發(fā)行地址Traces a connection between horror cinema and the baroque.Addresses some of the effects produced by complex films and series in the panorama of contemporary horror.Explores how we understand politics
圖書封面Titlebook: Baroque Aesthetics in Contemporary American Horror;  Gabriel Eljaiek-Rodríguez Book 2021 The Editor(s) (if applicable) and The Author(s), u
影響因子.This book traces a trend that has emerged in recent years within the modern panorama of American horror film and television, the concurrent—and often overwhelming—use of multiple stock characters, themes and tropes taken from classics of the genre.?.American Horror Story, Insidious?.and?.The Conjuring.?are examples of a filmic tendency to address a series of topics and themes so vast that at first glance each taken separately would seem to suffice for individual films or shows. This book explores this trend in its visible connections with American Horror, but also with cultural and artistic movements from outside the US, namely Baroque art and architecture, Asian Horror, and European Horror. It analyzes how these hybrid products are constructed and discusses the socio-political issues that they raise. The repeated and excessive barrage of images, tropes and scenarios from distinct subgenres of iconic horror films come together to make up an aesthetic that is referred to in this book as?.Baroque Horror.. In many ways similar to the reactions provoked by the artistic movement of the same name that flourished in the XVII century, these productions induce shock, awe, fear, and surpris
Pindex Book 2021
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沙發(fā)
發(fā)表于 2025-3-21 23:16:24 | 只看該作者
Baroque Aesthetics and Horrors,lyzing corresponding cultural products. I define baroque horror, a term that I create and that I use throughout the book, as a contemporary manifestation of baroque and neo-baroque ideas, feelings, and tropes in US horror cinema of the twenty-first century. I clarify how my use of the term baroque h
板凳
發(fā)表于 2025-3-22 02:27:05 | 只看該作者
US Baroque Horror Series: ,. and with particular attention to . In these series, ghosts, serial killers, vampires, and demons –that typically would have their own movie or show –share spaces with living humans, an interaction that can be either enlightening or deadly for inhabitants and visitors. I read this monstrous multipl
地板
發(fā)表于 2025-3-22 08:26:01 | 只看該作者
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發(fā)表于 2025-3-22 11:20:43 | 只看該作者
Baroque Horror Politics. , and ,heir stance concerning social and political issues—both in the US and internationally. In this chapter, I read Jordan Peele’s . and ., the seventh season of . as baroque horror products designed to propagate discussions on race, class, and violence, as well as to question the place of the horror gen
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發(fā)表于 2025-3-22 13:34:36 | 只看該作者
,Conclusion: “My name is Legion for we are many.”,lf. I tie together the films and series analyzed in the book through their responses to contemporary US politics, particularly to the re-adoption of nationalist and nativist ideologies and the push for an exclusive, monolithic US identity. This analysis will solidify the book’s interest in portrayin
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發(fā)表于 2025-3-22 17:13:38 | 只看該作者
his book as?.Baroque Horror.. In many ways similar to the reactions provoked by the artistic movement of the same name that flourished in the XVII century, these productions induce shock, awe, fear, and surpris978-3-030-88253-2978-3-030-88251-8
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發(fā)表于 2025-3-22 21:26:31 | 只看該作者
Baroque Aesthetics in Contemporary American Horror
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發(fā)表于 2025-3-23 02:20:47 | 只看該作者
Baroque Aesthetics in Contemporary American Horror978-3-030-88251-8
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發(fā)表于 2025-3-23 06:32:03 | 只看該作者
Book 2021nres of iconic horror films come together to make up an aesthetic that is referred to in this book as?.Baroque Horror.. In many ways similar to the reactions provoked by the artistic movement of the same name that flourished in the XVII century, these productions induce shock, awe, fear, and surpris
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