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Titlebook: Bargains with Fate; Psychological Crises Bernard J. Paris Book 1991 Springer Science+Business Media New York 1991 conflicts.play.William Sh

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41#
發(fā)表于 2025-3-28 17:42:49 | 只看該作者
Shakespeare’s Conflictsposites in his nature, and it is the relation between these opposites ... that gives energy and life to his work” (1964, 82). Critics have tended to define these opposites in terms of masculine and feminine traits. In ., Harold Grier McCurdy concluded that Shakespeare “was predominantly masculine, a
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發(fā)表于 2025-3-28 21:27:07 | 只看該作者
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發(fā)表于 2025-3-29 02:17:05 | 只看該作者
44#
發(fā)表于 2025-3-29 06:02:19 | 只看該作者
The Tempestut another, I think, is the multiplicity of trends, conflicts, and ambivalences in Shakespeare himself. Each of us tends to focus upon the aspect of Shakespeare to which we have a particularly strong response and to ignore or downplay the others. I have tried to account for many facets of Shakespear
45#
發(fā)表于 2025-3-29 08:48:45 | 只看該作者
Andreas R. Borszcz,Sven PiechotaControlling-Praxis erfolgreicher Unternehmen
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