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Titlebook: Balzac Reframed; The Classical and Mo Zahra Tavassoli Zea Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licens

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發(fā)表于 2025-3-21 16:26:13 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Balzac Reframed
期刊簡稱The Classical and Mo
影響因子2023Zahra Tavassoli Zea
視頻videohttp://file.papertrans.cn/181/180516/180516.mp4
發(fā)行地址Treads new ground as the only single-authored book to pair Rohmer with Rivette with the purpose of exploring their commitments to Balzac.Challenges and revises common assumptions on the French New Wav
學(xué)科分類Palgrave Studies in Adaptation and Visual Culture
圖書封面Titlebook: Balzac Reframed; The Classical and Mo Zahra Tavassoli Zea Book 2019 The Editor(s) (if applicable) and The Author(s), under exclusive licens
影響因子. .This book examines the theoretical affiliations between the most notable proponent of literary realism, Honoré de Balzac, and two understated but key representatives of the French New Wave, éric Rohmer and Jacques Rivette. It argues that their film criticism, which gradually led to the establishment of a common aesthetic vision of cinema (the “politique des auteurs”), owes more to Balzac and the nineteenth-century novel than to any intellectual trend of the immediate post-war period. By considering the films of Rohmer and Rivette as an extension of their writings (essays, film reviews, scriptwriting, novels and interviews), this volume analyses the changing and sometimes opposed ways in which they applied Balzacian principles and themes to their cinematic practice. Essentially, it understands the exchange between art forms, past traditions and contemporaneous currents as the overlooked yet common thread that links these three authors, through their own re-appropriations of classical and romantic aesthetics in their explorations of modern French society. In doing so, this study provides further nuance to the “conservative” versus “progressist” rupture that is generally assumed be
Pindex Book 2019
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沙發(fā)
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Soziologie der Frauenkrankheiten,ions on womanhood, and with a particular emphasis on the social, cultural and economical profiles of the wife, the mistress and the spinster. It argues that Rohmer prolongs the sociological structures of nineteenth-century society as depicted by . through predominantly bourgeois and wordy protagonis
地板
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Soziologie der Ohrenkrankheiten,racy and association in Rivette’s early years as a critic and filmmaker. It also explores the impact . had on the director’s dialectical understanding of the relationship between fiction and history. An investigation on the mythological lineage between Ovid, Balzac and Bazin sheds light on the demiu
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Zur Geschichte der Sozialhygiene,gic appropriation, Balzac’s novella gives Rivette the perfect framework to update the myth of Pygmalion to contemporary settings and, as such, explore the relationship between literature, painting and cinema, both in terms of theory and praxis. Rivette’s exploration of space and time, through Balzac
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978-3-030-30617-5The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Zahra Tavassoli ZeaTreads new ground as the only single-authored book to pair Rohmer with Rivette with the purpose of exploring their commitments to Balzac.Challenges and revises common assumptions on the French New Wav
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