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Titlebook: BBC Wildlife Documentaries in the Age of Attenborough; Jean-Baptiste Gouyon Book 2019 The Editor(s) (if applicable) and The Author(s) 2019

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發(fā)表于 2025-3-26 22:35:00 | 只看該作者
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發(fā)表于 2025-3-27 02:38:18 | 只看該作者
Oxford Scientific Films: From Field Craft to Film Craft,e course of a decade, Oxford film-makers became central to wildlife television, turning camerawork into a key aspect of the narrative in wildlife films. OSF established a new standard for wildlife television, as described in the 1972 documentary . by Mick Rhodes.
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發(fā)表于 2025-3-27 08:01:41 | 只看該作者
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發(fā)表于 2025-3-27 20:53:36 | 只看該作者
978-3-030-19981-4The Editor(s) (if applicable) and The Author(s) 2019
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發(fā)表于 2025-3-28 00:31:01 | 只看該作者
Jean-Baptiste GouyonOffers a unique look at ‘making of’ wildlife documentaries.Based on first-hand interviews conducted with David Attenborough.Tells the full story of BBC wildlife and David Attenborough
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發(fā)表于 2025-3-28 04:34:26 | 只看該作者
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發(fā)表于 2025-3-28 07:50:49 | 只看該作者
,X-ray Hazards — Diagnostic and Therapeutic,to find ways of convincing viewers that they can speak authoritatively on behalf of nature. The wildlife making-of documentary (MOD) is one of the means by which film-makers solicit trust from their audiences. By disclosing aspects of film-making, MODs redefine the relationship of wildlife films wit
40#
發(fā)表于 2025-3-28 12:45:28 | 只看該作者
Mirjana Maksimovi?,Vladimir Vujovi?s . (1934–1950) to introduce the notion that wildlife television is as much about television as it is about wildlife. The chapter then examines Peter Scott’s programmes produced by the BBC in Bristol, which led to the flagship series ., and Michaela and Armand Denis’s series of films shot in Africa.
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