Titlebook: Art and Memorialisation; Truth-Telling Throug Genevieve Grieves,Amy Spiers Book 2024 The Editor(s) (if applicable) and The Author(s), under

細(xì)胞

一再困擾

The Violence of Denial: Genevieve Grieves in Conversation with Tony Birch the works in the exhibition, the absence of memorials to First Peoples, and the means by which First Nations creatives resist the colonial psychosis of denial to produce recognition of Australia’s foundation in violence.

暖昧關(guān)系

Introduction: Artists confronting the violence of denial in Australia,e colonisers while remaining silent about their theft and mass murder, as First Peoples repeatedly call for truth-telling about Australia’s troubling foundations in violence. Positioning and grounding their separate research practices, Grieves and Spiers continue by identifying that the realm of art

Dislocation

The Violence of Denial: Genevieve Grieves in conversation with Vicki Couzens and Julie Goughfestival based in Naarm (Melbourne). The exhibition showcased female and non-binary First Nations artists who work with screen-based media to disclose Australia’s violent colonial past. The artists featured in the exhibition—Dianne Jones, Vicki Couzens, Julie Gough and?r e a—are all engaged in regen

情感脆弱

The Violence of Denial: Genevieve Grieves in Conversation with Dianne Jones and r e aorimi researcher, curator, artist and filmmaker, Genevieve Grieves at Arts House for Yirramboi First Nations arts festival, Naarm (Melbourne) in 2017. In this second talk transcript, Genevieve Grieves discusses artworks from the exhibition, . (2009) and . (2017), with artists r e a (Gamilaraay/Wailw

Flu表流動(dòng)

騷動(dòng)

chance

Remembering Those Who Have Gone Beforestrated brutality that occurred on Queensland‘s colonial frontier through a committed public and contemporary art practice that started during her undergraduate studies in the 1980s. Foley argues that public art is a way of putting in plain sight a history that has been shrouded in silence and compl

Ankylo-

Ligneous