Titlebook: Apes and Monkeys on the Early Modern Stage, 1603–1659; Teresa Grant Book 2024 The Editor(s) (if applicable) and The Author(s), under exclu

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書目名稱Apes and Monkeys on the Early Modern Stage, 1603–1659影響因子(影響力)




書目名稱Apes and Monkeys on the Early Modern Stage, 1603–1659影響因子(影響力)學(xué)科排名




書目名稱Apes and Monkeys on the Early Modern Stage, 1603–1659網(wǎng)絡(luò)公開度




書目名稱Apes and Monkeys on the Early Modern Stage, 1603–1659網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Apes and Monkeys on the Early Modern Stage, 1603–1659被引頻次




書目名稱Apes and Monkeys on the Early Modern Stage, 1603–1659被引頻次學(xué)科排名




書目名稱Apes and Monkeys on the Early Modern Stage, 1603–1659年度引用




書目名稱Apes and Monkeys on the Early Modern Stage, 1603–1659年度引用學(xué)科排名




書目名稱Apes and Monkeys on the Early Modern Stage, 1603–1659讀者反饋




書目名稱Apes and Monkeys on the Early Modern Stage, 1603–1659讀者反饋學(xué)科排名

巨大沒有

Terrace

2634-5919 real monkeys and actors dressed up as apes.Argues that the .This book is the first full-length study of apes and monkeys on the early modern stage. It broadens the scope of existing scholarship by situating the apes glimpsed in Shakespeare’s plays in the wider context of the many uncelebrated uses

expeditious

https://doi.org/10.1007/978-3-663-00188-1ugh its resonances in the middle ages and onto the Shakespearean stage.?It shows how parallels between apes and players, drawn out in Ovid and in early modern anti-theatrical writings, stimulated playwrights to interrogate the congruences, sometimes playfully and sometimes seriously.

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摘要

-tue: Being a Man,rn stage to reinforce and threaten a (top) human’s sense of self. It looks at male sexual incontinence, bullies, slaves and fettered apes and shows how playwrights used the relational position that the monkey or ape inhabited in opposition to man to interrogate what it meant to be human.

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