Titlebook: Amerikastudien / American Studies (Amst); Martin Christadler,Ernst Otto Czempiel,Wolfgang Vi Book 1977 Der/die Herausgeber bzw. der/die Au

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粗鄙的人

adulterant

Zum Begriff der Tradition in der Amerikanistik der DDR the concept of ‘tradition’, as it is used in GDR American Studies. For this purpose it is neccessary to refer to the intellectual and socio-historical context within which GDR American Studies developed and to concepts used by GDR scholars for its interpretation. Within this context American Studie

Affiliation

Amerikanische Konsumwerbung: Erscheinungsformen und Wirkungsm?glichkeitening also those cultural products as relevant and legitimate objects of investigation which have been excluded from academic research as a result of the strictly qualitative definition of culture used in the traditional philologies. At the same time, it requires a reexamination of the methodology of

障礙物

Zur Problematik der Interpretation popul?rer Kultur: Raoul Walshs Film pular culture, in the present case, the commercial cinema. While discussions of this kind hay e often tended to separate out ‘serious’ films in which social problems are explicitly thematized from those where such issues are conspicuously absent or obfuscated, the present essay recognizes no such di

deforestation

錯誤

Ccu106

玩忽職守

Der Schatten von Melvilles “Benito Cereno”: überlegungen zur literarischen Kritikference to attitude (I. A. Richards), but not all contemporary critics are prepared to accept literary works when they fail to conform to their own attitudes. Melville’s injustice to the revolting slaves has led to a polarization of race-conscious criticism: on the one hand a ‘liberal’ reading, whic

慢跑鞋

Begutachtung der kn?chernen Verletzungenlms as well as their content follows prefabricated patterns, varying them slightly but sufficiently to allow for audience surprises. Having described these patterns and their specific realization in ., the article turns to an ideological explanation of the norms and values embodied in the film and the gratifications they offer to an audience.