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Titlebook: A Rhetoric of Aesthetic Power; Moving Forms Christian Kock Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive licen

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樓主: 遮蔽
11#
發(fā)表于 2025-3-23 11:25:09 | 只看該作者
,Einführung und grundlegende Konzepte,What it means to talk about . attractions in an aesthetic artifact is that the attractions are based on perceived, immanent . within the artifact.
12#
發(fā)表于 2025-3-23 16:00:11 | 只看該作者
13#
發(fā)表于 2025-3-23 20:01:56 | 只看該作者
Introduction,The book takes a rhetorical approach. Put in the simplest possible way, this implies that I shall be concerned with what literary texts and other aesthetic artifacts ., or what they . do, over and above—as in a more prevalent paradigm in the humanities—what they ..
14#
發(fā)表于 2025-3-23 23:22:58 | 只看該作者
What Moves Us?,In the last scene of Shakespeare’s ., the king enters, shattered, bearing in his arms his dead daughter Cordelia, barbarously hanged.
15#
發(fā)表于 2025-3-24 04:33:32 | 只看該作者
16#
發(fā)表于 2025-3-24 06:46:03 | 只看該作者
Affective Attractions,“An aesthetic rhetoric counts on, attends to, and takes into account the body and its senses”—this assertion by the rhetoricians (Poulakos and Whitson, Quarterly Journal of Speech 81:378–385, 1995), 382) could be a motto for the first of the three main categories of moving forms that are to be discussed in this book.
17#
發(fā)表于 2025-3-24 13:56:35 | 只看該作者
Structural Attractions,What it means to talk about . attractions in an aesthetic artifact is that the attractions are based on perceived, immanent . within the artifact.
18#
發(fā)表于 2025-3-24 18:30:17 | 只看該作者
19#
發(fā)表于 2025-3-24 22:26:01 | 只看該作者
20#
發(fā)表于 2025-3-25 02:58:06 | 只看該作者
A Rhetoric of Aesthetic Power978-3-031-68970-3Series ISSN 2947-5147 Series E-ISSN 2947-5155
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