Titlebook: Avant-Garde Theatre Sound; Staging Sonic Modern Adrian Curtin Book 2014 Adrian Curtin 2014

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書目名稱Avant-Garde Theatre Sound影響因子(影響力)




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書目名稱Avant-Garde Theatre Sound讀者反饋學(xué)科排名

dysphagia

The Acoustic Imaginary,kenly thought you heard something in your immediate environment, then you have experienced the faculty of . hearing. Theorists and psychologists have given this phenomenon a variety of names, but there is broad consensus about its meaning: .; they exist not in the phenomenal world but in the “mind’s

CHECK

Theatre Sound in the Age of Mechanical Reproduction,uly 24, 1890. This was apparently the first use of recorded sound in theatre, made 13 years after Thomas Edison patented the phonograph in 1877. Law’s play concerns a nervous, hypochondriac judge who takes an imperiled married woman and her baby into his protection. The baby howls. The production us

lactic

不易燃

Hearing ,: The Noise of Avant-Garde Performance,disturbed; hearing affectively means experiencing sound viscerally, not just with one’s ears but one’s whole body. Rave-goers hear affectively: the dance music pulses through them with vibrational force, promoting communal ecstasy. People who live near train lines may feel the rumble of passing trai

良心

,Conclusion: A Resounding…,non-facetiously, “Isn’t that equally valid?” I said it was and joked that this would be my next project, provided we were talking about the use and historicity of scent in performance and not the smell of avant-garde artists. As it happens, scholars have already written about the creative use of olf

斑駁

Introduction: The Sound of No Hands Clapping, discourse as a non sequitur or paradox.. Avant-garde theatre is so radical, the cartoon mischievously implies, it goes beyond the sound of . hand clapping (how jejune) and obtains the eminently more achievable, but perhaps less desirable, “sound” of . hands clapping. It does this, one assumes, by b

PLUMP

Theatre Sound in the Age of Mechanical Reproduction,k the role of a fretful baby’s howls and acquitted itself admirably.”. Not all the critics were impressed. Clement Scott, advocate of the picturesque stage and avowed antimodernist, ranted about it in the.. Hearing a . cry on stage provoked his ire (likely exaggerated for comic effect); the mechanic

憤世嫉俗者

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