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Titlebook: Autonomist Narratives of Disability in Modern Scottish Writing; Crip Enchantments Arianna Introna Book 2022 The Editor(s) (if applicable) a

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發(fā)表于 2025-3-21 17:23:05 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)Autonomist Narratives of Disability in Modern Scottish Writing
期刊簡(jiǎn)稱(chēng)Crip Enchantments
影響因子2023Arianna Introna
視頻videohttp://file.papertrans.cn/167/166759/166759.mp4
發(fā)行地址Introduces a disability studies approach to Scottish literary studies.Highlights the social critique of representations of work and welfare in disability narratives.Draws on Marxist autonomist theory
學(xué)科分類(lèi)Literary Disability Studies
圖書(shū)封面Titlebook: Autonomist Narratives of Disability in Modern Scottish Writing; Crip Enchantments Arianna Introna Book 2022 The Editor(s) (if applicable) a
影響因子.Autonomist Narratives of Disability in Modern Scottish Writing: Crip Enchantments .explores the intersection between imaginaries of disability and representations of work, welfare and the nation in twentieth and twenty-first century Scottish literature. Disorienting effects erupt when non-normative bodies and minds clash with the structures of capitalist normalcy. This book brings into conversation Scottish studies, disability studies and Marxist autonomist theory to trace the ways in which these “crip enchantments” are imagined in modern Scottish writing, and the “autonomist” narratives of disability by which they are evoked..
Pindex Book 2022
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Canon of the Season-Granting System, Part 2,ly challenge the logics of capitalism and of those of normalcy as deeply entangled. They also gesture towards the need and possibility for an altogether different organisation of society. This chapter lays out the theoretical framework through which the present book examines the manifestation of cri
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Writing the Proposal—the Application Phaseance opposed by disabled characters to the violence of waged work and the benefit system in Jeff Torrington’s . and James Kelman’s . (1994), and to domination and oppression within care institutions in Agnes Owens’ . (1998), Jessie Kesson’s ‘The Gowk’, ‘Good Friday’ and ‘Dear Edith…’ (1985), and A.L
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https://doi.org/10.1007/978-1-4899-3785-8examines the ways in which autonomist narratives of disability denounce the intensified precarities that emerge out of forms of immaterial labour, while offering glimpses into alternative ways of organising our communities. Non-productive and incapacitated bodies and minds are represented by the aut
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