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Titlebook: Automata and Mimesis on the Stage of Theatre History; Kara Reilly Book 2011 Palgrave Macmillan, a division of Macmillan Publishers Limited

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樓主: LH941
31#
發(fā)表于 2025-3-27 00:52:31 | 只看該作者
Iconoclasm and Automata, for almost a century from the 1530s to the 1640s.. Iconoclasts advocated the breaking of statues, idols, and paintings connected with Catholic veneration and therefore seen as superstitious. A central tenet of Iconoclasm was privileging the word of God over and above visual representation of any ki
32#
發(fā)表于 2025-3-27 04:52:46 | 只看該作者
33#
發(fā)表于 2025-3-27 08:09:45 | 只看該作者
34#
發(fā)表于 2025-3-27 11:47:42 | 只看該作者
,Olympia’s Legacy,formed into a terrifying uncanny Other. The uncanny Other this chapter examines is the ravishingly beautiful automaton Olympia from German Romantic E. T. A. Hoffmann’s famous short story ‘Der Sandmann’ (1816–17), a major text in the literature of the fantastic. Nathanael, the protagonist of ‘The San
35#
發(fā)表于 2025-3-27 16:13:54 | 只看該作者
36#
發(fā)表于 2025-3-27 19:52:43 | 只看該作者
Epilogue, iphones, and ipods. These digital tools appear to have radically reshaped our culture, changing our conceptions of both time and space by directly connecting us to other users around the globe at high speeds. Our relationship to technology extends well beyond just the desire for immediate informati
37#
發(fā)表于 2025-3-27 23:36:53 | 只看該作者
Tobias Fink,Daniel Kiefere?most recent?trends in the book‘s areas of focus to highlight where further improvement in materials and techniques can drive continued advancements, particularly in thermal management, usability, efficiency, reliability and overall cost of power semiconductor solutions.
38#
發(fā)表于 2025-3-28 03:33:57 | 只看該作者
39#
發(fā)表于 2025-3-28 10:07:33 | 只看該作者
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發(fā)表于 2025-3-28 13:02:29 | 只看該作者
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