Titlebook: Autofiction in English; Hywel Dix Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Life writing.Memoir.Autobiography.Interte

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Roth Is Roth as Roth: Autofiction and the Implied Author of novels by Paul Auster, Philip Roth and Bret Easton Ellis, he argues that the autofictive technique used in each novel provides a new platform on which to consider the implied author. Differentiation between narrative agents is a crucial element of classical narratology, and Womble contends that

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Self and Fiction in e, based on Self’s own walk to Hollywood from an LA airport, as he quests to discover who has murdered modern cinema. Ostensibly a postmodern novel in the tradition of Pynchon and DeLillo, the book in fact describes itself as ‘three memoirs’. This chapter reads . as life writing and specifically aut

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Eye to I: American Autofiction and Its Contexts from Jerzy Kosinski to Dave Eggersrary-critical analysis in France. In the United States the situation is almost the exact opposite. Autofiction features seldom in studies of American literature from the late twentieth century to the present day, while postmodernism remains one of the dominant categories within which to analyse late

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https://doi.org/10.1007/978-3-662-33975-6 the genre and how that, in turn, complicates the representation of trauma. Michael also proposes that ‘graphic autofiction’ allows the formation of feminist counter-narratives to the silencing of female abuse victims and the latter’s representation beyond victimhood.

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https://doi.org/10.1007/978-3-662-32957-3ofiction, analysing its experiments in fictionalizing details from, and reflections upon, its author’s life. Self directs the reader to his playful employment of displacement, distortion and role-playing and the chapter argues that such strategies develop an argument on the relationship between identity and the ubiquity of fiction-making.

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