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Titlebook: Autoethnography and Feminist Theory at the Water‘s Edge; Unsettled Islands Sonja Boon,Lesley Butler,Daze Jefferies Book 2018 The Editor(s)

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樓主: fallacy
31#
發(fā)表于 2025-3-26 22:56:27 | 只看該作者
Book 2018h the more-than-human, and understands the land and sea-scapes of Newfoundland as integral to their thinking, theorizing, and writing. The authors draw on feminist, trans, queer, critical race, Indigenous, decolonial, and posthuman theories in order to examine the relationships between origins, memo
32#
發(fā)表于 2025-3-27 01:30:26 | 只看該作者
Gesellschaftssysteme der Gegenwartl and metaphoric levels, considering settler, Indigenous, Black, and trans engagements with fish, fishiness, and fishy being. Ultimately, this essay argues for a trans fishy subjectivity attentive and responsive to the multiple ontological histories and trajectories at the nexus?of sense, self, settler, sex, and species.
33#
發(fā)表于 2025-3-27 06:49:13 | 只看該作者
Martin Heidenreich,Marco H?rpferg on the work of Elspeth Probyn, Karin Amimoto Ingersoll, Sara Ahmed, Luce Irigaray, Eve Tuck and C. Ree, it examines the profoundly embodied intimacy of human-fish relations, developing the idea of love through the lens of grief, mourning, loss, and haunting.
34#
發(fā)表于 2025-3-27 13:29:03 | 只看該作者
https://doi.org/10.1007/978-3-531-92008-5 grey hair, as genetic inheritance. Drawing on the work of Toni Morrison, Gilles?Deleuze and Félix?Guattari, and Quinn Eades, among others,?the essay engages with roots at both material and mythical levels, looking in particular at how roots might be unsettled and uprooted, the site of new beginnings as well as ancestral longings.
35#
發(fā)表于 2025-3-27 17:40:20 | 只看該作者
36#
發(fā)表于 2025-3-27 19:20:23 | 只看該作者
Soziologien des konstituierten Subjekts,ter as sentient; that is, alive with its own potentiality, and drawing on the work of Astrida Neimanis, Sara Ahmed, Nancy Tuana, and Deborah Bird Rose, among others, it asks how humans might better think with and through water.
37#
發(fā)表于 2025-3-27 23:34:14 | 只看該作者
38#
發(fā)表于 2025-3-28 02:35:31 | 只看該作者
39#
發(fā)表于 2025-3-28 06:35:42 | 只看該作者
40#
發(fā)表于 2025-3-28 12:38:41 | 只看該作者
Das Biegen beim Gesenkschmieden,rting from the symbol ‘O,’?this chapter reads silence in relation to silenced histories, diasporic wanderings, interrupted utterances, island spaces, and the ghostly disturbances of the inbetween. Silence, this chapter observes, is encrypted, a site of contestation and possibility, oppression and resistance.
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