Titlebook: Authorship, Commerce and the Public; Scenes of Writing 17 E. J. Clery,Caroline Franklin,Peter Garside Book 2002 Palgrave Macmillan, a divis

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不妥協(xié)

令人發(fā)膩

子女

Walter Scott: Anonymity and the Unmasking of Harlequin .? The most comprehensive is by Seamus Cooney, who listed no fewer than 11 reasons for the anonymity, derived from Scott’s own statements.. The reasons vary between the social and the personal. The social reasons usually adduced are that publishing a novel was unsuitable for a professional lawyer,

最初

Derogate

里程碑

Eliza Haywood and the Discourse of Taste. Despite opening the essay-periodical . with these words, Eliza Haywood is rarely recognized as a contributor to the debate about polite taste in the eighteenth century and still less is she regarded as an authority on matters of judgement. This is a pity as Haywood had much to say on the subject,

Frequency-Range

Heresy

Economics, Expertise, Enterprise and the Literary Scene: The Commercial Management Ethos in British ribution, and reception of the novel. The proliferation of commercial libraries and the development of a novel-reading habit were inextricably linked. Most readers hired their fiction at a library rather than purchased it, and numerous sources survive indicating how the affordability of renting nove

BOOR

Popular Romanticism? Publishing, Readership and the Making of Literary History; its sudden transfer to J. & A. Arch; its evolving size, price, content and title; the new prefatory material in 1800 and 1802.. One common denominator for both author and publishers, however, was the desire to find a way to sell copies and make profits. For Wordsworth, the rewards of popularity an