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Titlebook: Australian Radio Listeners and Television Viewers; Historical Perspecti Bridget Griffen-Foley Book 2020 The Editor(s) (if applicable) and T

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發(fā)表于 2025-3-21 18:37:47 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Australian Radio Listeners and Television Viewers
期刊簡稱Historical Perspecti
影響因子2023Bridget Griffen-Foley
視頻videohttp://file.papertrans.cn/166/165869/165869.mp4
發(fā)行地址Considers how Australian audiences have consumed and engaged with broadcast media over the last century.Focuses on radio since the 1920s and television since the 1950s, covering both public and commer
學(xué)科分類Palgrave Studies in the History of the Media
圖書封面Titlebook: Australian Radio Listeners and Television Viewers; Historical Perspecti Bridget Griffen-Foley Book 2020 The Editor(s) (if applicable) and T
影響因子.This lively and accessible book charts how Australian audiences have engaged with radio and television since the 1920s. Ranging across both the commercial and public service broadcasting sectors, it recovers and explores the lived experiences of a wide cross-section of Australian listeners and viewers. Offering new perspectives on how audiences have responded to broadcast content, and how radio and television stations have been part of the lives of Australians, over the past one hundred years, this book invites us into the dynamic world created for children by the radio industry, traces the operations of radio and television clubs across Australia, and uncovers the workings of the Australian Broadcasting Commission’s viewers’ advisory committees. It also opens up the fan mail received by Australian broadcasting stations and personalities, delves into the complaints ?les of regulators, and teases out the role of participants and studio audiences in popular matchmaking programs..
Pindex Book 2020
The information of publication is updating

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The 1860s / , (1863) and , (1868),ne calls of complaint received by radio stations and personalities, broadcasting periodicals, the Australian Broadcasting Commission and the Postmaster-General’s Department. It then delves into the complaints files of the Australian Broadcasting Control Board, which was responsible for most aspects
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,Woman Writing: George Eliot’s Life,grams on commercial television in the 1960s, teasing out?notions of romantic consumerism and ordinary Australians on the airwaves. It then pays particular attention to participants and audience involvement in two popular creations of the 1980s: . on Sydney radio and . on network television.
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to ,: Fictions of Gender and History,roadcast media. It highlights how Australian radio and television stations and networks have been integral parts of the social, cultural, educational and financial fabric of their communities. And it summarises some of the ways to locate and uncover the voices of earlier generations of Australian br
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https://doi.org/10.1007/978-3-030-54637-3Australian Broadcasting Commission; commercial broadcasters; new media technologies; audience studies; f
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