Titlebook: Australian Animation; An International His Dan Torre,Lienors Torre Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 cartoons.

MIFF

書目名稱Australian Animation影響因子(影響力)




書目名稱Australian Animation影響因子(影響力)學(xué)科排名




書目名稱Australian Animation網(wǎng)絡(luò)公開(kāi)度




書目名稱Australian Animation網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書目名稱Australian Animation被引頻次




書目名稱Australian Animation被引頻次學(xué)科排名




書目名稱Australian Animation年度引用




書目名稱Australian Animation年度引用學(xué)科排名




書目名稱Australian Animation讀者反饋




書目名稱Australian Animation讀者反饋學(xué)科排名

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Handbuch der Physik‘ Encyclopedia of Physicslevision was first introduced in Australia). Some of the animators discussed include Dick Ovenden, the Owen Brothers, Eric Porter, and Dusan Marek. It was during this era that Australian animation oscillated between isolationism and the acknowledgement of the growing influence of overseas studios, i

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有節(jié)制

La luminescence nocturne (The Nightglow),; he produced nearly a dozen other animated features, plus a number of animated television series, which included ., featuring the iconic Australian koala character. Many of these films featured live-action backgrounds which highlighted the Australian landscape in a way that no previous animation ha

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disparage

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郊外

https://doi.org/10.1007/978-3-662-07450-3 of animation in Australia, surveying a large number who have worked between the 1960s and the present day. Arguably, it is within these independent animations that one can also witness some of the strongest expressions of Australian culture and thematic content.

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