Titlebook: Austen‘s Unbecoming Conjunctions; Subversive Laughter, Jillian Heydt-Stevenson Book 2005 Palgrave Macmillan, a division of Nature America I

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https://doi.org/10.1057/9781403982544ninstructed in anagogical or psychoanalytic interpretation, the Thorpes themselves fail because they call attention to the artificiality of conventions by embodying them so exhaustively. An example from Leigh Hunt’s . helps explain this: in his critique of Erasmus Darwin’s poetry, Hunt revealed how

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https://doi.org/10.1057/9781403982544espondingly increased with a rise in the educational and social level” provides the impediment (. 101). He illustrates the limits of applying male-oriented critiques to women’s humor, especially for Austen’s bawdy humor. Her transgressive comedy isolates such biased ideology and maneuvers its border

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