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Titlebook: Audible Geographies in Latin America; Sounds of Race and P Dylon Lamar Robbins Book 2019 The Editor(s) (if applicable) and The Author(s), u

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發(fā)表于 2025-3-21 17:48:48 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Audible Geographies in Latin America
期刊簡稱Sounds of Race and P
影響因子2023Dylon Lamar Robbins
視頻videohttp://file.papertrans.cn/165/164965/164965.mp4
發(fā)行地址Proposes models for understanding the relationships between sound and place in Brazil and Cuba.Offers interdisciplinary perspectives that call upon examples from music, cinema, medical criminology, ex
圖書封面Titlebook: Audible Geographies in Latin America; Sounds of Race and P Dylon Lamar Robbins Book 2019 The Editor(s) (if applicable) and The Author(s), u
影響因子.Audible Geographies in Latin America. examines the audibility of place as a racialized phenomenon. It argues that place is not just a geographical or political notion, but also a sensorial one, shaped by the specific profile of the senses engaged through different media. Through a series of cases, the book examines racialized listening criteria and practices in the formation of ideas about place at exemplary moments between the 1890s and the 1960s. Through a discussion of Louis Moreau Gottschalk’s last concerts in Rio de Janeiro, and a contemporary sound installation involving telegraphs by Otávio Schipper and Sérgio Krakowski, Chapter 1 proposes a link between a sensorial economy and a political economy for which the racialized and commodified body serves as an essential feature of its operation.? Chapter 2 analyzes resonance as a racialized concept through an examination of phonograph demonstrations in Rio de Janeiro and research on dancing manias and hypnosis in Salvador da Bahia in the 1890s. Chapter 3 studies voice and speech as racialized movements, informed by criminology and the proscriptive norms defining “white” Spanish in Cuba. Chapter 4 unpacks conflicting listening cr
Pindex Book 2019
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沙發(fā)
發(fā)表于 2025-3-21 21:46:18 | 只看該作者
板凳
發(fā)表于 2025-3-22 02:33:00 | 只看該作者
Gabler Kompakt-Lexikon Unternehmensgründunghor’s first novel .-.-. Mário’s ideas regarding the influx of “Cuban” rhythms into Brazilian popular music provide an opportunity to reflect upon sonic phenomena and national boundaries, as well as how their movements were theorized in the context of their thought as gendered distinctions.
地板
發(fā)表于 2025-3-22 06:49:00 | 只看該作者
https://doi.org/10.1007/978-3-658-30901-5 chapter discusses works by Alberto Roldán, Julio García Espinosa, Tomás Gutiérrez Alea, and Nicolás Guillén Landrián, among others as instantiations of listening informed by concerns with race and history, approached through discussions in film theory regarding film sound, the audio-visual, and noise.
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發(fā)表于 2025-3-22 10:14:48 | 只看該作者
,Clinical Listening and Corporeal Resonance in the Brazilian Belle époque,h the work of the medical criminologist, Raimundo Nina Rodrigues, with particular attention to his dialogue with the work of French neuropathologists like Jean Martin Charcot. Through an analysis of his case study of a young Afro-Brazilian woman named Fausta, the chapter discusses the roles of sound recording technology in a former slavocracy.
6#
發(fā)表于 2025-3-22 13:22:08 | 只看該作者
Rhythm, Diasporas, and the National Popular State,hor’s first novel .-.-. Mário’s ideas regarding the influx of “Cuban” rhythms into Brazilian popular music provide an opportunity to reflect upon sonic phenomena and national boundaries, as well as how their movements were theorized in the context of their thought as gendered distinctions.
7#
發(fā)表于 2025-3-22 20:00:24 | 只看該作者
Noises in Cuban Revolutionary Cinema, chapter discusses works by Alberto Roldán, Julio García Espinosa, Tomás Gutiérrez Alea, and Nicolás Guillén Landrián, among others as instantiations of listening informed by concerns with race and history, approached through discussions in film theory regarding film sound, the audio-visual, and noise.
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發(fā)表于 2025-3-23 00:57:46 | 只看該作者
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發(fā)表于 2025-3-23 01:29:16 | 只看該作者
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發(fā)表于 2025-3-23 06:37:59 | 只看該作者
Introduction: Notes for an Audible Geography,omenon traversed with mediatic concerns. It subsequently analyzes a sound installation by the Brazilian artists Otavio Schipper and Sergio Krakowski in order to propose a link between a sensorial economy and a political economy for which the racialized and commodified body serves as an essential feature of its operation.
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