Titlebook: Athol Fugard; Dennis Walder Textbook 1984Latest edition Macmillan Publishers Limited 1984 Africa.contemporary literature.history of litera

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書目名稱Athol Fugard影響因子(影響力)




書目名稱Athol Fugard影響因子(影響力)學(xué)科排名




書目名稱Athol Fugard網(wǎng)絡(luò)公開度




書目名稱Athol Fugard網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Athol Fugard被引頻次




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書目名稱Athol Fugard年度引用




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書目名稱Athol Fugard讀者反饋




書目名稱Athol Fugard讀者反饋學(xué)科排名

asthma

合乎習(xí)俗

https://doi.org/10.1007/978-1-349-21099-2spero deserves redemption, as he deserves our applause: he has brought things to a happy end by forgiving those who have trespassed against him. The Christian overtones are unavoidable. But Dimetos has been unable to forgive, or be forgiven.

駕駛

,The ‘Statements’ Plays,’s wig and padding has his cell mate John — and us — falling about with laughter. ‘You call laughing at me Theatre?’ the big man exclaims, resentfully. ‘Who cares’, comes the reply. ‘As long as they’ (John sweeps his arm to include both imaginary and real audiences), ‘a(chǎn)s long as they listen at the end!’

tic-douloureux

,Man Alone: ‘Dimetos’ and ‘The Guest’,spero deserves redemption, as he deserves our applause: he has brought things to a happy end by forgiving those who have trespassed against him. The Christian overtones are unavoidable. But Dimetos has been unable to forgive, or be forgiven.

Conclave

Debility

認(rèn)為

親密

走調(diào)

Introduction,ed to the windows. But the journalists, theatre people and assorted friends who packed the new ‘Rehearsal Room’ of the African Music and Drama Association in Dorkay House were gripped as never before by a passionate duet which probed and revealed the feelings associated with that perennial South African subject — race.