Titlebook: Arts Management, Cultural Policy, & the African Diaspora; Antonio C. Cuyler Book 2022 The Editor(s) (if applicable) and The Author(s), und

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https://doi.org/10.1007/978-3-322-82594-0articular Caribbean language that becomes a transformative self-management practice within the artistic domain, a specific practice of arts management through artistic form..This chapter also responds to the question, “What strategies will most effectively increase the representation of people of Af

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https://doi.org/10.1007/978-3-322-81587-3itutions..The chapter aims to clarify the origins of today’s debate on the restitution of African objects. In this context, it addresses the question, in what ways have cultural policies empowered or victimised people of African descent and how (former) colonial powers used arts management and cultu

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Filicide literature and research needs. Ultimately, this chapter contributes to a burgeoning field of knowledge that investigates how institutional stakeholders enculturate people of African descent’s cultural practices and values. While focused on the Black British context, the overarching call of this chapter encourages cross-co

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,Implikationen für das Management, artworks constitute the canon of African art scholarship, their management in western cultural institutions deserves critical assessments. This chapter explores the question, how have colonizers used arts management and cultural policy to forcefully plunder and retain the cultural patrimony of the

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