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Titlebook: Arts & Economics; Analysis & Cultural Bruno S. Frey Book 20001st edition Springer-Verlag Berlin Heidelberg 2000 Art Economics.Cultural Eco

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樓主
發(fā)表于 2025-3-21 19:09:02 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱Arts & Economics
期刊簡稱Analysis & Cultural
影響因子2023Bruno S. Frey
視頻videohttp://file.papertrans.cn/163/162761/162761.mp4
發(fā)行地址One of the most fascinating applications of economics.Written by a leading expert in application of economics in non-economic fields
圖書封面Titlebook: Arts & Economics; Analysis & Cultural  Bruno S. Frey Book 20001st edition Springer-Verlag Berlin Heidelberg 2000 Art Economics.Cultural Eco
影響因子To put the ARTS and ECONOMICS next to each other, as in the title to this book, may be shocking to some readers. Must not creative art be free of economic constraints, must it not lead a life of its own? And is economics not the realm of mean commercial dealings? This book argues that it is not so: the ARTS and ECONOMICS go well together, indeed need each other. Without a sound economic base, art cannot exist, and without creativity the economy cannot flourish. There is a second way in which the Arts and Economics go together, namely in the sense of applying economic thinking to the arts. Over the last decades, this scholarly endeavor has been established under the name of "The Economics of Art" or "Cultural Economics". But this may also sound revolting to some readers as it suggests an imperialistic extension of a lowly benefit-cost calculus to the world of art. This fear is unwarranted. On the contrary, cultural economists stress the social value of art and defend it against a crude business view of art. Rather than dismissing art without direct commercial profit, art economists seek ways and means of supporting it. This book is not a textbook summarizing the achievements attaine
Pindex Book 20001st edition
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沙發(fā)
發(fā)表于 2025-3-21 20:43:03 | 只看該作者
,‘You must not speak of us as cousins’,2). These persons argue that if art issues were subject to (direct) democratic decisions, public support for the arts would drop to an abominably low level, and to the extent art is still supported, would be of terrible quality.
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發(fā)表于 2025-3-22 04:20:22 | 只看該作者
Book 20001st editionomic constraints, must it not lead a life of its own? And is economics not the realm of mean commercial dealings? This book argues that it is not so: the ARTS and ECONOMICS go well together, indeed need each other. Without a sound economic base, art cannot exist, and without creativity the economy c
地板
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Evaluating Cultural Propertyrrent funds for repairing and safeguarding the objects. In order to be able to make reasonable decisions, an evaluation of the . of the cultural heritage (compared to relevant alternatives) is required.
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Public Support for the Arts in a Direct Democracy2). These persons argue that if art issues were subject to (direct) democratic decisions, public support for the arts would drop to an abominably low level, and to the extent art is still supported, would be of terrible quality.
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