Titlebook: ARTISTS-IN-LABS: Networking in the Margins; Jill Scott Book 2010Latest edition Springer-Verlag / Wien 2010 art and science.interdisciplina

fumble

書(shū)目名稱ARTISTS-IN-LABS: Networking in the Margins影響因子(影響力)




書(shū)目名稱ARTISTS-IN-LABS: Networking in the Margins影響因子(影響力)學(xué)科排名




書(shū)目名稱ARTISTS-IN-LABS: Networking in the Margins網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱ARTISTS-IN-LABS: Networking in the Margins網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱ARTISTS-IN-LABS: Networking in the Margins被引頻次




書(shū)目名稱ARTISTS-IN-LABS: Networking in the Margins被引頻次學(xué)科排名




書(shū)目名稱ARTISTS-IN-LABS: Networking in the Margins年度引用




書(shū)目名稱ARTISTS-IN-LABS: Networking in the Margins年度引用學(xué)科排名




書(shū)目名稱ARTISTS-IN-LABS: Networking in the Margins讀者反饋




書(shū)目名稱ARTISTS-IN-LABS: Networking in the Margins讀者反饋學(xué)科排名

Myocyte

大猩猩

SMART

Humble

Fifty Materials That Make the Worldfrom 2007 to 2009 by 12 artists from the disciplines of sculpture, installation, performance and sound, in collaboration with scientists from the fields of physics, computer technologies, environmental ecology, neuroscience and psychology. While artists have become more involved in ethical and socia

帽子

能得到

Glass Fiber Reinforced Polymers, photograph was taken from lunar orbit in December 1968 with a Hasselblad camera loaded with colour film. It is an image of the Earth as it appears from deep space, rising over the lunar horizon, and it was a view that no one had seen before. Hanging, half visible, in the black void of space was a b

NAVEN

Glass Fiber Reinforced Polymers,storyteller’ for the public. These artists, who are now part of my generation, still fondly talk about their responsibility to engage with the public and how this focus drew them together as an art community. In this essay, I would like to outline how, today, the art/sci margin might become a health

noxious

Fifty Materials That Make the World today is the re-design of ourselves. We are at the final frontier of knowledge: consciousness, a calling for the imaginative deployment of new technologies of communication, computing, as well as chemistry and older somatic practices. Our sense of Being and of Time is changing. The creative navigat

釘牢

Fifty Materials That Make the Worldelcomed as a research fellow at laboratories of neurobiology — as an ‘a(chǎn)rt historian in lab’ one might say. While I was officially treated as a ‘visiting scholar’, it was quite clear that I was seen rather as a more or less exotic ‘guest’ than as a ‘collaborator’ in a strict sense. A different perspe