Titlebook: Artificial Intelligence Techniques for Computer Graphics; Dimitri Plemenos,Georgios Miaoulis Book 2008 Springer-Verlag Berlin Heidelberg 2

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書目名稱Artificial Intelligence Techniques for Computer Graphics影響因子(影響力)




書目名稱Artificial Intelligence Techniques for Computer Graphics影響因子(影響力)學科排名




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書目名稱Artificial Intelligence Techniques for Computer Graphics網絡公開度學科排名




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書目名稱Artificial Intelligence Techniques for Computer Graphics讀者反饋




書目名稱Artificial Intelligence Techniques for Computer Graphics讀者反饋學科排名

Aerate

Thymus

Luigi Campiglio,Lorenza Alexandra Lorenzetti the motion of the people by using a large database of motion captured data. Most of the crowd simulations divide the simulation process into two phases, the first phase is path generation, and the second phase is matching the motion clip to the generated path. The second phase is the goal of this p

使糾纏

https://doi.org/10.1007/978-3-031-14541-4wever, accuracy is tied to datasets. Algorithmic progress in this field is often linked to the availability of datasets. A new, harder, dataset will often derail existing algorithms and create a new research wave. We attempt to define and compare inter- and intra-class 3D object retrieval and show t

持久

Luigi Campiglio,Lorenza Alexandra Lorenzettiowth, inhomogeneity in light reception can provide large bias in the experiments. In this paper we present the first steps of a framework which aims at computing the best locations of light sources that could ensure an homogeneous lighting at some places in these chambers. For this purpose we extent

山間窄路

Compass and straightedge constructions,and computer games. In this paper, we introduce the term . to describe the use of path planning to create geometric models. The basic algorithm involves finding least-cost paths through a randomly weighted regular lattice. The resulting paths have characteristics in common with plants and other natu

剛開始

孵卵器

CANON

geometrician

https://doi.org/10.1057/978-1-137-50105-9AURAL aims to control the interaction between visual, sound and robotic information in a research for automatic and semi-automatic processes of artistic production. Different convex mirrors can be used to achieve an omnidirectional system. The use of a spherical mirror in this case introduces distor