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Titlebook: Articulating Novelty in Science and Art; The Comparative Tech Julian Stubbe Book 2017 Springer Fachmedien Wiesbaden GmbH 2017 Innovation So

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發(fā)表于 2025-3-21 19:18:30 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱Articulating Novelty in Science and Art
期刊簡稱The Comparative Tech
影響因子2023Julian Stubbe
視頻videohttp://file.papertrans.cn/162/161993/161993.mp4
發(fā)行地址A comparative study linking science and art.Includes supplementary material:
圖書封面Titlebook: Articulating Novelty in Science and Art; The Comparative Tech Julian Stubbe Book 2017 Springer Fachmedien Wiesbaden GmbH 2017 Innovation So
影響因子Julian Stubbe aims at characterizing what novelty is in the becoming of objects and how the new becomes part of a shared reality. The study’s method is comparative and concerned with technological practice in science as well as in art. It draws on a detailed comparison of two cases: the becoming of a robotic hand made from silicone, and the genesis of a media art installation that renders visible changes in the earth’s magnetic field. In contrast to the canon of sociological innovation studies, which regard novelty as what actors in the field label as new or innovation, the author attempts to delineate certain shifts in an object’s becoming that individuate an object and render its difference visible. This entails attending the enactment of novelty through cultural imaginaries and narratives about technologies, as well as acknowledging the shifts in technical forms that make loose elements enter a new kind of circularity. From this perspective, novelty is an articulation: when differences are not contradicting, but when differing characteristics are aligned, fitted, and click in so as to appear and behave as a distinct entity. .?.
Pindex Book 2017
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Novelty and Technological Objectstes and enters a technical form. Technology is an ambiguous term in this regard: on the one hand, stability, repetition, and predictability characterize technology, and, on the other hand, technology challenges order, as it is poietic. The striving for stability reflects the former meaning of techno
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Form: How Materials Become Effectiveds,” he wrote. Mallarmé’s poetry is concerned with the force of rhythm, sound, and changing meaning depending on if a word is read in silence or aloud. In contrast, I have followed ideas that articulate an object through diverse realms and delineate how something coherent, something with an identity
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