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Titlebook: Arthur Miller; Neil Carson Textbook 1982Latest edition Neil Carson 1982 Arthur Miller.contemporary literature.history of literature.litera

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發(fā)表于 2025-3-21 17:20:05 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱Arthur Miller
影響因子2023Neil Carson
視頻videohttp://file.papertrans.cn/162/161968/161968.mp4
學科分類Modern Dramatists
圖書封面Titlebook: Arthur Miller;  Neil Carson Textbook 1982Latest edition Neil Carson 1982 Arthur Miller.contemporary literature.history of literature.litera
影響因子a sound, reliable introduction to Miller, which can be recommended to students.‘ Times Higher Educational Supplement
Pindex Textbook 1982Latest edition
The information of publication is updating

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發(fā)表于 2025-3-21 20:41:17 | 只看該作者
A Return to the Origin of the Welfare Stateentral character to suffering as great as any tragedy, does so to different effect. Proctor’s story is not one of defeat and acceptance, but of triumph and vindication. Whereas the conventional tragic hero is a deluded or obsessed individual in an ordered universe, Proctor is a just man in a univers
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https://doi.org/10.1007/978-1-349-16735-7Arthur Miller; contemporary literature; history of literature; literature; North America; twentieth centu
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發(fā)表于 2025-3-22 18:02:09 | 只看該作者
The Beginnings of a Diversified Democracy) drama is assured, it may be many years before there is general agreement about the nature of his contribution and the order in which his plays should be ranked. For not only is the playwright still active, but there is at the heart of his work something which seems to perplex and divide his critic
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發(fā)表于 2025-3-22 21:23:25 | 只看該作者
A Return to the Origin of the Welfare Stateessity they had existed quietly, and the demands of their two young children, Jane Ellen (born 1944) and Robert tborn 1946), occupied much of their energy and attention. The religious and temperamental differences between Mary and her mother-in-law, and the fact that the children were being raised w
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發(fā)表于 2025-3-23 05:06:58 | 只看該作者
A Return to the Origin of the Welfare Statethe alternative commercial theatre that later developed ‘Off-Broadway’. Professional theatre was confined almost entirely to New York City, and there it was in the hands of commercial managers. The key figure in the business of presenting plays on Broadway was not the writer nor the director (and ce
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